Here are a baker's dozen links plus this week's car chase...
1) Weekend Box Office Estimates:
1 Batman V Superm................ $170,100,000
2 Zootopia........................ $23,138,000
3 MBFGW2.......................... $18,120,000
4 Miracles......................... $9,500,000
5 Allegiant........................ $9,500,000
6 10 Cloverfield................... $6,000,000
7 Deadpool......................... $5,000,000
8 London Bridges................... $2,926,000
9 Doris............................ $1,700,925
10 Eye Sky.......................... $1,001,204
Though the *current* reported budget for BATMAN V SUPERMAN is $250 million, before the bad reviews kicked in the budget was over $410 million as of October of last year! That's before post production overages and reshoots and P&A advertising and everything else! Yikes! It's common for studios to under report budgets when things get out of hand and there's concern that a film may not perform as well as they thought. So BVS will have to do STAR WARS business to break even. Hopefully it will do great business and Warner Bros will be able to fund another MAD MAX movie.
2) Return On Investment? Small Movies With Big Profits.
3) Writing DOUBLE INDEMNITY With Wilder & Chandler.
4) Women & Minority Writers - This Get Worse According To WGA.
5) And The Actual WGA Report.
6) J.K. Rowling's Rejection Letters.
7) As The Guy Who Gave Albert Whitlock The Welcome Mat That He Used In Front Of His Trailer, I Love Old School Effects Like This...
8) From 3 Minute Proof Of Concept Short To Feature Film - LIGHTS OUT.
9) I Think The Premise Is Wrong - Hitchcock Didn't *Block* Scenes, He Used Specific Shots (Often Altering The Set For The Shot), But Interesting Look At VERTIGO.
10) Dialogue Is Like Toilet Paper...
11) The Cannes Game Begins!
12) What Script Readers And Development People Look For In Your Screenplay. This is GOLD!
13) BATMAN Vs. SUPERMAN - The Previous Fights Before This Week's Rematch!
BONUS: DEADPOOL Effects. And the Car Chase Of The Week:
RIP: Garry Shandling.
Bill
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