Monday, July 13, 2015

Lancelot Link: ComiCon Edition

Lancelot Link Monday! Okay, you may have heard of this thing going on in San Diego right now called "ComiCon". This could be a million links this week, just for the trailers being revealed. But I've kept it to a dozen. I expect most of you have already seen all of these, anyway! While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Minions........................ $115,200,000
2 Jurassic World.................. $18,100,000
3 Inside Out...................... $17,108,000
4 Terminator...................... $13,700,000
5 The Gallows..................... $10,015,000
6 Mike (Magic)..................... $9,640,000
7 Ted 2............................ $5,600,000
8 Self/Less........................ $5,379,000
9 Baahubali........................ $3,575,000
10 Max.............................. $3,420,000


MINIONS... so that swearing Minion helped sell tickets! Cool!

2) Joss Whedon.

3) THE FORCE AWAKENS Sets.

4) Tarsem.

5) WESTWORLD.

6) Why Batman and Superman Broke Up!

7) Del Toro.

8) Bryan Singer.

9) Solo (Napoleon, not Han)

10) Suicide.

11) Tarantino.

12) Gonzo.

And the Car Chase Of The Week:





Bill

Buy The DVDs

IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

Wednesday, July 08, 2015

Darth Vader on the NYC subway

From 4 years ago...

I may have posted this before, it's from Improv Everywhere. They posted an April Fools clip where Jar Jar Binks gets the beat up on the subway a few days ago, which wasn't fun to watch. (As much as I dislike Jar Jar, I don't want to see him get beaten the crap out of.) This clip is fun...



- Bill
IMPORTANT UPDATE:

TODAY'S SCRIPT TIP: When You Want To Hurt The World - and James Bond movies.
Dinner: Hawaiian BBQ chicken.
Pages: Saturday - not much sleep or writing, Sunday - not much sleep again, but I did some outline work.
Bicycle: Good rides on both Sat & Sunday - though both days were overcast and I feared rain.
Movies: SOURCE CODE and INSIDIOUS and SUPER... was going to see BATTLE: LA, too but was tired.

Monday, July 06, 2015

Lancelot Link: Put On A Shirt!

Lancelot Link Monday! JURASSIC WORLD and INSIDE OUT continue to be neck and neck at the finish line, but newcomers TERMINATOR GENYSIS and MAGIC MIKE XXL both "underperformed". Why? Well both TERMINATOR and MAGIC MIKE contain scenes with shirtless men. This is obviously a box office problem. Shirtless men. Hollywood take note! While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Jurassic World.................. $30,900,000
2 Inside Our...................... $30,105,000
3 Terminator: Phil Collins........ $28,700,000
4 Magic Mike XXSM................. $11,600,000
5 Ted 2........................... $11,000,000
6 Max (not mad).................... $6,610,000
7 Spy.............................. $5,500,000
8 San Andreas...................... $3,030,000
9 Me & Earl........................ $1,320,000
10 Dope............................. $1,098,000


Oh, and overseas where shirtless men are more accepted, TERMINATOR GENYSIS is doing great business and is on track to make $300 to $400 million just in those overseas shirtless countries. So this may actually be the start of a new trilogy (as planned).

2) Best Films Of 2015 Part 1.

3) CHIPS: THE MOTION PICTURE. (This is not a joke! Hey, I saw Estrada in Starbucks about a week ago!)

4) Tarantino Discusses HATEFUL EIGHT.

5) Wozniak On The New JOBS Trailer.

6) DEADPOOL... rated R!

7) Herzog's New Film... about a female spy.

8) Marky Mark & Ronda Rousey At MILE 22?

9) Liam Neeson's Son Cast In Role Liam Neeson Played For Prequel?

10) Next Reboot Of SPIDER MAN Movie Will Be Like A John Huges Movie... BABY'S DAY OUT... Says Kevin Feige. Casting Toddlers Now!

11) LONDON HAS FALLEN First Trailer...

12) Chris Pratt Is PSYCHIC! Predicts Future! Dramatic video proof!

And the Car Chase Of The Week:



From the low budget original...

Bill

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IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

Thursday, July 02, 2015

Monday, June 29, 2015

Lancelot Link: Unforgiven

Lancelot Link Monday! Between TED and TED 2 writer/directer Seth MacFarlane made A MILLION WAYS TO DIE IN THE WEST... and it seems as if ticket buyers have not forgiven him for that stinker. The studio's *conservative* Box Office prediction for TED 2 was $45 million... but it only made $33 million (estimated) and I wonder if that figure will adjust down when the actuals come in. I think it would be wise at this time for MacFarlane to consider that maybe he isn't that funny and take his ego down a few notches (he has plenty of notches to spare). Meanwhile, Dinosaurs and Animated HERMAN'S HEAD were neck and neck at the finish line with both films doing great business. Summer has just begun and box office is *killing it*! While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Jurassic World.................. $54,200,000
2 Inside Out...................... $52,128,000
3 Ted 2........................... $33,000,000
4 Max (not mad)................... $12,210,000
5 Spy.............................. $7,800,000
6 San Andreas...................... $5,275,000
7 Dope............................. $2,862,000
8 Insidious 3...................... $2,025,000
9 Max (Mad: Fury Road)............. $1,735,000
10 Avengers 2....................... $1,643,000


Box office is breaking all sorts of records: 6.8% over last year, 6.6% over 2013, 4.7% over 2012, 13.8% over 2011, 4.9% over 2010... Make the kind of films people love and they will stand in line to see them. Even DOPE (which is an indie comedy) is doing great business.

2) ComiCon TV Schedule.

3) ComiCon Film Schedule.

4) Jason Blum On The Future Of Horror And Spielberg.

5) James Gunn On GUARDIANS OF THE GALAXY 2: GROOT BUGALOO.

6) THE GOOD, THE BAD, AND THE UGLY... and math.

7) Ben & Matt Writing FIFA Scandal Movie... probably no explosions.

8) Michael Crichton Sells Film Rights To Novel Even Though He's Dead.

9) TOP GUN 2... Yes, It's Happening. Does That Mean The End Of The World Is Near?

10) When William Friedkin Met Fritz Lang (an interview).

11) James Wan's LIGHTS OUT?

12) 17 Minutes (about a whole reel) of Kubrick's 2001 Discovered!

And the Car Chase Of The Week:



From THE STREETS OF SAN FRANCISCO.

Bill

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IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

Thursday, June 25, 2015

Buy One, Get One!

Would you like a free book?

If you didn't get the first in my new Vintage Screenwriting Series: HOW TO WRITE PHOTOPLAYS by Anita Loos during the free period when it was released 3 months ago, it's going to be free again this weekend... Friday 6/26 thru Sunday 6/28.

But I would like you to think of this as a Buy One, Get One Free. If there are any of my books you don't have yet, please buy one and then get the Vintage Screenwriting Book FREE. If you have all of my books, please do something to promote my books (tweet, other social media, write a review on Amazon) and then download the book for free. If you already have all of my books, it would be cool if you could get someone else to buy one of my books in order to get your free book. And you can even tell your friends *they* can get the book for free if they buy another one of my books! Buy one, get one free!




There have been How To Screenwriting books as long as there have been movies. The earliest one I have is from 1911... and there were books before that. In 1913 there were at least 4 books on writing screenplays published! Movies didn't suddenly get worse: they got *better*. So I thought it would be fun to republish some of these old books as ebooks along with new material on the history of Hollywood and screenwriting at that time and a bio of the writer, plus a look at how these 1920 lessons apply to screenwriting today. When this book was published, half of all movies in Hollywood were written by women, so we look at women in Hollywood at the time... and find out *why* there were so many women in the film business back then.

You get the full text of the 1920 book, a complete screenplay by Miss Loos (one of her hits), and then a bunch of new articles (over a third of the book).

And it's free until 6/28. A thank you to those who have bought my books in the past. If you haven't bought one of my books yet, it's still free (but, come on! This of this as a Buy One, Get One Free. If you've already bought some of my books, just grab this one. If you haven't, grab this one for free and buy one of the others.)

And, like all of my other ebooks, NO KINDLE REQUIRED! Get the *free* app (any device, except your Mr. Coffee) on the order page on Amazon!

FREE! FREE! FREE! FREE!

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ADVICE FROM #2 SCREENWRITER!

*** VINTAGE #1: HOW TO WRITE PHOTOPLAYS *** - For Kindle!

***

Screenwriting books have been around as long as films have. This series reprints vintage screenwriting books with a new introduction and history, plus new articles which look at how these lessons from almost 100 years ago apply to today’s screenplays. Anita Loos book is filled with information which still applies. In addition to the full text of the original book, you get the full screenplay to Miss Loos' hit THE LOVE EXPERT, plus several new articles on the time period and women in Hollywood.



USA People, Click Here!

UK People, Click Here!

Germany People, Click Here!

Canadian People, Click Here!

French People, Click Here!

Spanish People, Click Here!

My other books (Buy One, Get The Above Book Free!):


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THE BOOK THAT STARTED IT ALL!

*** THE SECRETS OF ACTION SCREENWRITING *** - For Kindle!

*** THE SECRETS OF ACTION SCREENWRITING *** - For Nook!

Why pay $510 for a used version of the 240 page 2000 version that used to retail for $21.95? (check it out!) when you can get the NEW EXPANDED VERSION - over 500 pages - for just $9.99? New chapters, New examples, New techniques!

"SECRETS OF ACTION SCREENWRITING is the best book on the practical nuts-and-bolts mechanics of writing a screenplay I've ever read." - Ted Elliott, co-writer of MASK OF ZORRO, SHREK, PIRATES OF THE CARIBBEAN and the sequels (with Terry Rossio). (ie; 4 of the top 20 Box Office Hits Of ALL TIME.)

Only $9.99 - and no postage!


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The first Hitchcock book...

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Contained Thrillers like “Buried”? Serial Protagonists like “Place Beyond The Pines”? Multiple Connecting Stories like “Pulp Fiction”? Same Story Multiple Times like “Run, Lola, Run”? HITCHCOCK DID IT FIRST!

This book focuses on 18 of Hitchcock’s 53 films with wild cinema and story experiments which paved the way for modern films. Almost one hundred different experiments that you may think are recent cinema or story inventions... but some date back to Hitchcock’s *silent* films! We’ll examine these experiments and how they work. Great for film makers, screenwriters, film fans, producers and directors.

Films Examined: “Rear Window”, “Psycho”, “Family Plot”, “Topaz”, “Rope”, “The Wrong Man”, “Easy Virtue”, “Lifeboat”, “Bon Voyage”, “Aventure Malgache”, “Elstree Calling”, “Dial M for Murder”, “Stage Fright”, “Champagne”, “Spellbound”, “I Confess”, and “The Trouble with Harry”, with glances at “Vertigo” and several others. Great for Directors, Screenwriters, Producers, or Hitchcock fans!

Only $4.99 - and no postage!


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BRAND NEW!

*** HOOK 'EM IN TEN *** - For Kindle!


Your story doesn't get a second chance to make a great first impression, and this book shows you a bunch of techniques on how to do that. From the 12 Basic Ways To Begin Your Story, to the 3 Stars Of Your First Scene (at least one must be present) to World Building, Title Crawls, Backstory, Starting Late, Teasers and Pre Title Sequences, Establishing Theme & Motifs (using GODFATHER PART 2), Five Critical Elements, Setting Up The Rest Of The Story (with GODFATHER), and much more! With hundreds of examples ranging from Oscar winners to classic films like CASABLANCA to some of my produced films (because I know exactly why I wrote the scripts that way). Biggest Blue Book yet! Print version was 48 pages, Kindle version is over 100,000 words - 312 pages!

Only $3.99 - and no postage!


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SECRETS OF SCENES!

*** SCENE SECRETS BLUE BOOK *** - For Kindle! (Exclusive)


What is a scene and how many you will need? The difference between scenes and sluglines. Put your scenes on trial for their lives! Using "Jaws" we'll look at beats within a scene. Scene DNA. Creating set pieces and high concept scenes. A famous director talks about creating memorable scenes. 12 ways to create new scenes. Creating unexpected scenes. Use dramatic tension to supercharge your scenes. Plants and payoffs in scenes. Plus transitions and buttons and the all important "flow"... and more! Over 65,000 words!
Print version was 48 pages, Kindle version is around 210 pages!

Only $3.99 - and no postage!



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BEST SUPPORTING ACTORS?

*** SUPPORTING CHARACTER SECRETS *** - For Kindle! (Exclusive)


Expanded version with more techniques to flesh out your Supporting Characters and make them individuals. Using the hit movie BRIDESMAIDS as well as other comedies like THE HANGOVER and TED and HIGH FIDELITY and 40 YEAR OLD VIRGIN and many other examples we look at ways to make your Supporting Characters come alive on the page. Includes Story Purpose of characters and Subplots. Print version was 48 pages, Kindle version is around 150 pages!

Only $3.99 - and no postage!



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STORY PROBLEMS?

*** STORY: WELL TOLD *** - For Kindle!


This book takes you step-by-step through the construction of a story... and how to tell a story well, why Story always starts with character... but ISN'T character, Breaking Your Story, Irony, Planting Information, Evolving Story, Leaving No Dramatic Stone Unturned, The Three Greek Unities, The Importance Of Stakes, The Thematic Method, and how to create personal stories with blockbuster potential. Ready to tell a story? Print version was 48 pages, Kindle version is over 85,000 words - 251 pages!

Only $3.99 - and no postage!


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STUCK IN THE MIDDLE?

*** ACT TWO SECRETS *** - For Kindle!


Expanded version with more techniques to help you through the desert of Act Two! Subjects Include: What Is Act Two? Inside Moves, The 2 Ps: Purpose & Pacing, The 4Ds: Dilemma, Denial, Drama and Decision, Momentum, the Two Act Twos, Subplot Prisms, Deadlines, Drive, Levels Of Conflict, Escalation, When Act Two Begins and When Act Two Ends, Scene Order, Bite Sized Pieces, Common Act Two Issues, Plot Devices For Act Two, and dozens of others. Over 67,000 words (that’s well over 200 pages) of tools and techniques to get you through the desert of Act Two alive! Print version was 48 pages, Kindle version is over 208 pages!

Only $3.99 - and no postage!


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I WRITE PICTURES!

*** VISUAL STORYTELLING *** - For Kindle! (exclusive)


Show Don't Tell - but *how* do you do that? Here are techniques to tell stories visually! Using Oscar Winning Films and Oscar Nominated Films as our primary examples: from the first Best Picture Winner "Sunrise" (1927) to the Oscar Nominated "The Artist" (which takes place in 1927) with stops along the way Pixar's "Up" and Best Original Screenplay Winner "Breaking Away" (a small indie style drama - told visually) as well as "Witness" and other Oscar Winners as examples... plus RISE OF THE PLANET OF THE APES. Print version is 48 pages, Kindle version is over 200 pages!

Only $3.99 - and no postage!


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GOT IDEAS?

*** YOUR IDEA MACHINE *** - For Kindle!

*** YOUR IDEA MACHINE *** - For Nook!

Expanded version with more ways to find great ideas! Your screenplay is going to begin with an idea. There are good ideas and bad ideas and commercial ideas and personal ideas. But where do you find ideas in the first place? This handbook explores different methods for finding or generating ideas, and combining those ideas into concepts that sell. The Idea Bank, Fifteen Places To Find Ideas, Good Ideas And Bad Ideas, Ideas From Locations And Elements, Keeping Track Of Your Ideas, Idea Theft - What Can You Do? Weird Ways To Connect Ideas, Combing Ideas To Create Concepts, High Concepts - What Are They? Creating The Killer Concept, Substitution - Lion Tamers & Hitmen, Creating Blockbuster Concepts, Magnification And The Matrix, Conflict Within Concept, Concepts With Visual Conflict, Avoiding Episodic Concepts, much more! Print version is 48 pages, Kindle version is over 175 pages!

Only $3.99 - and no postage!


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MOVIES ARE CHARACTERS!

*** CREATING STRONG PROTAGONISTS *** - For Kindle!

*** CREATING STRONG PROTAGONISTS *** - For Nook!

Expanded version with more ways to create interesting protagonists! A step-by-step guide to creating "take charge" protagonists. Screenplays are about characters in conflict... characters in emotional turmoil... Strong three dimensional protagonists who can find solutions to their problems in 110 pages. But how do you create characters like this? How do you turn words into flesh and blood? Character issues, Knowing Who Is The Boss, Tapping into YOUR fears, The Naked Character, Pulp Friction, Man With A Plan, Character Arcs, Avoiding Cliche People, Deep Characterization, Problem Protagonists, 12 Ways To Create Likable Protagonists (even if they are criminals), Active vs. Reactive, The Third Dimension In Character, Relationships, Ensemble Scripts, and much, much morePrint version is 48 pages, Kindle version is once again around 205 pages!

Only $3.99 - and no postage!


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DIALOGUE TO DIE FOR!

*** DIALOGUE SECRETS *** - For Kindle!

*** DIALOGUE SECRETS *** - For Nook!

Expanded version with more ways to create interesting protagonists! How to remove bad dialogue (and what *is* bad dialogue), First Hand Dialogue, Awful Exposition, Realism, 41 Professional Dialogue Techniques you can use *today*, Subtext, Subtitles, Humor, Sizzling Banter, *Anti-Dialogue*, Speeches, and more. Tools you can use to make your dialogue sizzle! Special sections that use dialogue examples from movies as diverse as "Bringing Up Baby", "Psycho", "Double Indemnity", "Notorious", the Oscar nominated "You Can Count On Me", "His Girl Friday", and many more! Print version is 48 pages, Kindle version is over 160 pages!

Only $3.99 - and no postage!




Thank you all again.

Bill

Monday, June 22, 2015

Lancelot Link: Records Broken

Lancelot Link Monday! You know all of those critics and news sources that talk about how Hollywood is doomed? If they want to retain credibility they'd better start apologizing and admitting they were completely wrong because we are well on our way to a record year at the box office in money and ticket sales. Hollywood is making the kinds of movies people want to see. And some of those films have the number 7 in the title... and two of those films star The Rock... who used to be a professional wrestler... While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Jurassic World................. $102,019,000
2 Inside Out...................... $91,056,000
3 Spy............................. $10,500,000
4 San Andreas...................... $8,240,000
5 Dope............................. $6,018,000
6 Insidious 3...................... $4,110,000
7 Pitch Perfect 2.................. $3,300,000
8 Fury Road........................ $2,815,000
9 Ultron........................... $2,723,000
10 Tomorrowland..................... $2,009,000


On Friday, Pixar's INSIDE OUT was the #1 film... and still managed to be the Highest Opening Weekend For An Original Property (not a sequel, not based on any popular existing material) beating AVATAR. And it still came in #2 behind JURASSIC WORLD! JURASSIC is on track to be the fastest film to hit $1 billion, since it's at $981.3 million worldwide right now. And the other films didn't fall off that much... this was a *huge* weekend for ticket sales and box office. This whole year has been one record after another... between FURIOUS 7 and JURASSIC WORLD and INSIDE OUT this looks like a record year for ticket sales.

2) BOURNE Again Casts Leads.

3) Director Joe Dante Interview On His New Film BURYING THE EX.

4) The Rules Of SPIDER MAN (from Sony Hacked Emails).

5) Does The Academy Of Motion Picture Arts & Sciences Need More Straight White Males?

6) Malick's NIGHT OF CUPS Delayed Until Next Year.

7) Relativity's Twisted Financial Problems.

8) Behind The Scenes At Pixar.

9) Tom Hanks To Play Miracle On The Hudson's Pilot Sully? Oddly enough, Sully lives in the East Bay Area near where Hanks grew up!

10) Fifteen Things Every Indie Producer Needs To Know.

11) Who Loves You, Baby? Vin Diesel?

12) The Always Cute Barbara Crampton (and other cast & crew) Talk About New Horror Flick WE ARE STILL HERE.

And the Car Chase Of The Week:



Okay, no cars...

Bill

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IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

Monday, June 15, 2015

Lancelot Link: JURASSIC CHIMP!!!!!

Lancelot Link Monday! Originally my plan was to have 12 links to JURASSIC articles and interviews, but after two sites had so many pop ups and adverts (trying to cash in) that I actually punched my laptop screen, I decided to just have a bunch of regular links. Pisser. Don't these sites realize that overloading with adverts makes us *avoid them*? I understand that a site needs adverts to pay the bills, I get that. But these were way past all reasonable amounts of adverts. What were they thinking? While *you're* thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Jurassic World................. $204,600,000
2 Spy World....................... $16,000,000
3 San Andreas World............... $11,010,000
4 Insidious 3 World................ $7,300,000
5 PitchP World..................... $6,000,000
6 Entourage World.................. $4,340,000
7 Fury Road World.................. $4,130,000
8 World Of Ultron.................. $3,641,000
9 Tomorrow World................... $3,417,000
10 Love & Mercy World............... $1,765,000


So last week I ranted that JURASSIC WORLD might not be the movie to save summer box office because it's a sequel, and maybe what we need is an original film to shake up the audience. I was wrong. Really really wrong. JURASSIC WORLDS not only got an A grade from the audience (Cinemascore) it made *over half a BILLION dollars* worldwide over the weekend. $511.8 million. In 3 days. So that summer box office slump? Over. Like, really over. There's still a lot of summer left, but with an A grade, ticket buyers are going to see this again and recommend it to friends. That should take care of any misfires from now until the end of the season.

2) As You Know From The Post Credit Sequence, The Next JURASSIC Sequel Will Have Owen Joining THE AVENGERS.

3) Deleted Scenes From BLADE RUNNER? Here are 3/4 of an hour of them!

4) THE HATEFUL 70? QT Decides New Film (with Morriconne Score!!!!) Only Shows On Film And Only Shows In 70mm When It Opens!

5) Interview With Pete Docter (Pixar).

6) New MAN FROM U.N.C.L.E. Trailer.

7) DR STRANGE Casting: Chiwetel Ejiofer As Baron Mordo.

8) Trailer For STANFORD PRISON EXPERIMENT.

9) SPECTRE TV Spot... Bond In Love?

10) John Sayles Signed To Adapt Frank Herbert's SOUL CATCHER.

11) ComiCon Film & TV Schedule.

12) Warner Bros Buys Screenplays Based On Rachel A. Dolezal, LeBron's Penis, and Escaped Convicts (these are separate screenplays by different writers).

And the Car Chase Of The Week:



Left over from when this was going to be an ALL Jurassic list...

Bill

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IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

Wednesday, June 10, 2015

Summer Replacements

Summer.

When I was a kid, TV shows went on summer vacation, too. So just when I didn't have school the next morning and could maybe talk my parents into letting me stay up late to watch some cool adult show... those shows were not on!

But summer wasn't all test patterns or screen snow, they had these things called "Summer Replacement Shows". They were whatever the network could get cheap that was in english, and usually that meant British shows. These were the TV shows I fell in love with, because they were the only adult shows I ever saw (until I was old enough to stay up later). So my childhood was all about SECRET AGENT MAN and THE AVENGERS and THE CHAMPIONS and several others.

Here's the opening for THE AVENGERS, with it's great Laurie Johnson score:



The awful movie version seemed to miss why the show worked in the first place, and traded class for crass.

Other AVENGERS Opening titles:







And while we're here, THE CHAMPIONS opening titles...

- Bill

Monday, June 08, 2015

Lancelot Link: Spy Vs. Quake

Lancelot Link Monday! Summer is here, but the audience seems to be working on their tans! After a slam bang spring at the box office, summer has tapered off. Hey, we're still 2.2% ahead of last year and 5.4% ahead of 2013, but we were ahead by *double digits* only a couple of weeks ago. What happened? Hollywood is hoping JURASSIC WORLD will come to the rescue, but I wonder if part of the problem is we have so many movies with numbers in the title and so many movies based on stuff like comic books and theme park rides. Where is the exciting movie that came out of nowhere to save summer? While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a baker's dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Spy............................. $30,000,000
2 San Andreas..................... $26,440,000
3 Insidious 3..................... $23,000,000
4 Entourage....................... $10,420,000
5 Fury Road........................ $7,970,000
6 Pitch Perf 2..................... $7,700,000
7 Tomorrowland..................... $7,022,000
8 Ultron!.......................... $6,201,000
9 Aloha!........................... $3,300,000
10 Poultry.......................... $2,850,000




2) Spielberg, Hanks, BRIDGE OF SPIES, Trailer.

3) Inside The TRANSFORMERS Writers Room. Once inside, will they let us escape?

4) Jackie Chan Is THE FOREIGNER.

5) John Cusack & Brian Wilson Discuss LOVE & MERCY In Interview.

6) Seattle International Film Festival Winners!

7) Francis Ford Coppola On Adapting THE GODFATHER. (video)

8) Agency Defections And The Agent Wars In Hollywood.

9) Sex Changes On Screen! Roles written for men, cast as women. Lassie went the other way.

10) Matt Damon Ins THE MARTIAN clip.

11) The Characters Of THE MARTIAN.

12) Streaming Becomes The New DVD. Does this mean a boom in Direct To Streaming Films from the home video divisions of studios?

13) It's A Pizza *And* A Movie!

And the Car Chase Of The Week:



SUPERCOP 2. Hey, I've been on this road in Hong Kong!

Bill

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IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

Wednesday, June 03, 2015

Horror & Genre Estate Sale

Last week's THRILLER Thursday featured a story about the book collection of an crazy old man, who may be a sorcerer, which is willed to several people... including our hero, the world's least famous magician.



Well, speaking of old libraries with rare books with potentially spooky pasts, Fangoria Magazine’s British correspondent Philip Nutman passed away a year and a half ago, and his extensive library of horror books, film books, autographed comic books, and many other curios has just been placed on sale. Since last week’s THRILLER episode was about the terrors which might be found in the library of a book collector who has passed away, I thought some of you might be interested in these rare books and collectables from Philip Nutman’s Estate, being sold through Burnt Biscuit Books (owned by a screenwriter):

* The Philip Nutman Collection On Ebay.

* The Philip Nutman Collection At Amazon.

Michael from Burnt Biscuit has been posting pictures of all kinds of great autographed rare editions and books I had no idea even existed! Nutman was the ultimate horror fan, and had a massive collection of books, comics, props, etc. Some of those could be yours. Check them out!

Bill

Monday, June 01, 2015

Lancelot Link: Shakin'!

Lancelot Link Monday! After all kinds of predictions that SAN ANDREAS would flop big time, the film was #1 over the weekend and did great business and managed to get an A minus from Cinemascore (the opening night audience poll). Here's the thing: when I went to see FURY ROAD the first time, I was way early and hanging around the cinema lobby and overheard the cinema manager asking employees which trailers the audience was responding to... and all of the kids said SAN ANDREAS. And when I saw FURY ROAD, the audience responded to the trailer. So I knew it wasn't going to be a flop... and the cinema manager probably adjusted shifts to make sure he was covered for SAN ANDREAS' opening. This makes me wonder why studios don't just make their employees watch films in cinemas like regular people so that they can know this stuff? While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 San Andreas..................... $53,215,000
2 Son Of Pitches.................. $14,381,000
3 Tomorrowland.................... $13,803,000
4 Furious Road.................... $13,625,000
5 Ultron!............................. $10,920,000
6 Aloha................................ $10,000,000
7 Poultry.............................. $7,800,000
8 Mad Crowd: Far From............ $1,420,000
9 Hot Pursuit..................... $1,370,000
10 Home............................. $1,150,000


The Rock is off the hook for HERCULES! When that film came out and flopped, the studio decided it was because The Rock couldn't open a movie on his own... but that's been proven false. The real reason HERCULES flopped was because it was booooooring! All of the action in the trailer was from a *fantasy sequence*, and the rest of the film has no action and a booring script. Didn't help that untalented frat boy Ratner directed it. Since The Rock is off the hook, let's put Ratner ON it! From this point on, no studio should give him a budget over $10m, and he should have to make hits to climb his way out. Let him make something as good as THE GUEST to get out of movie jail.

2) BUSTER KEATON: FURY ROAD. (It's just one long chase scene!)

3) Visual FX on FURY ROAD.

4) Can Writers & Producers Just Get Along? (panel discussion)

5) GRACE ON MONACO Screenwriter's Live Tweet Revenge.

6) THE FORCE AWAKENS...

7) Alex Winter Interview... BILL & TED 3.

8) Low Budget Horror & Blumhouse.

9) THE DEAD LANDS Director On Having James Cameron As A Fan.

10) The Future Of Indie Films. (panel discussion)

11) Rick Baker Retires, Sells All His Stuff!

12) TRON 3 is DEAD!

And the Car Chase Of The Week:



Not a car chase. A half hour fan film PREDATOR: DARK AGES co starring my friend Jon Campling.
If 20th Century Fox had any brains at all, they's *buy* this film and then hire the cast and crew to do the 90 minute version. SAME CAST. Maybe add some star in a cameo somewhere. But keep the budget low... and then open the door for other takes on the PREDATOR franchise as make a string of them in the exact same manner. This was made with a kickstarter campaign for (kickstarter $ only) UNDER $10k.

Bill

Buy The DVDs

IMPORTANT UPDATE:

Running Gags - Even a serious film can have a runner.
Dinner: BBQ Chicken, corn on the cob.
Pages: Killer head cold the past few days, but last week started very productive so that I ended up with the week's quota.
Bicycle:Short ride.

Movie:

Monday, May 25, 2015

Lancelot Link: YesterdayLand

Lancelot Link Tuesday! TOMORROWLAND only did about half of what they expected it to do at the box office, and review after reviews points at the screenplay. You know, the one by the guy who rewrote a good script and turned it into PROMETHEUS. Here's the deal: on a big budget film, the writer often ends up a typing monkey for the director... but as a typing monkey part of your job is to make the notes work and find ways to sneak in some great material. Though Ridley Scott may have gone off the rails (look at his recent stuff), Brad Bird seems to be at the top of his game. He single handedly rescued the MISSION IMPOSSIBLE series and you can probably see my "movie boner" from space after the announcement of THE INCREDIBLES 2. So it's hard for me to believe that Bird gave crazy notes that turned TOMORROWLAND into crap. But maybe I'm wrong. The studio's crazy theory is that the audience doesn't want to see original movies, they only want to see sequels... hence, TOMORROWLAND "underperformed". Maybe that's true: maybe people only want to see movies with numbers in the title? While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Tomorrowland.................... $32,972,000
2 Pitch Perfect 2................. $30,830,000
3 MM: FURY ROAD................... $24,815,000
4 Poltergeist..................... $22,600,000
5 Age Of Ultron................... $21,691,000
6 Age Of Adeline.................. $15,000,000
7 Hot Pursuit...................... $3,610,000
8 Furious 7........................ $2,232,000
9 That Other Tom Hardy Movie....... $2,200,000
10 You Only Blart Twice............. $1,875,000


Notice how many film had double digits this weekend! That has to be a record!

2) Daily Word Count Of 39 Famous Novelists. Just add yours to make it 40.

3) Cannes Winners.

4) Scorsese Talks Hitchcock... Best Scenes In PSYCHO.

5) How Many Hits Can We Have This Summer?

6) MAD MAX: FURY ROAD... The Stunts, And How Every Chase Is Different!

7) Furiosa's Stunt Woman's FURY ROAD Set Pictures!

8) MAD MAX: FURY ROAD Concept Art.

9) Next Film Is MAD MAX: THE WASTELAND (George Miller Interview).

10) Shane Black On Action Screenplays.

11) Legal Advice For Screenwriters.

12) Overcoming (Fury) Roadblocks To Creativity!

And the Car Chase Of The Week:



From the first MAD MAX movie... the one *before* ROAD WARRIOR.

Bill

Buy The DVDs

IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

Monday, May 18, 2015

Lancelot Link: Cannes Cannes

Lancelot Link Monday! Everyone in in Cannes this week. Most people think Cannes is a film festival, and it is... but mostly it's a film market. A place where people buy and sell movies. The stars show up to walk the red carpet for the festival, then go pimp their films to buyers at the market. If there was no festival, there would still be a market. We don't really need festivals and awards, but we need markets. Replace movies with food and you'll see how this makes sense. Some foods win awards, and that's great... but we can do without food awards but can't do without the market where we buy food. The Film Market is more important than that Film Festival... While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Pitch Perfect 2................. $70,300,000
2 Fury Road....................... $44,440,000
3 Age Of Ultron................... $38,837,000
4 Hot Pursuit...................... $5,780,000
5 Blart!........................... $3,600,000
6 Furious 7........................ $3,600,000
7 Adeline.......................... $3,200,000
8 Home............................. $2,700,000
9 Ex Machiua....................... $2,103,000
10 Far From......................... $1,300,000


It might seem strange that PERFECT PITCH beat FURY ROAD this weekend, but PITCH was tracking really well and FURY ROAD seemed to be appealing mostly to older males who are fans of the previous MAD MAX movies. You also have to take into account the other films playing: AVENGERS 2 is still new and FURIOUS 7 is still selling lots of tickets... and those are both probably more appealing to males (as is FURY ROAD). But what's out there for females? ADELINE and FAR FROM THE MADDING CROWD both appeal to females, but are also more serious films... and girls just want to have fun! So a female directed comedy about a group of women singers was the perfect film! Elizabeth Banks proves that women directors can make hit films (and also proves that smart women can find a way to get that directing gig... Banks is a comedy actress (40 YEAR OLD VIRGIN) who started a production company to help her find better roles... and then directed some small things for experience which would lead to her directing PITCH PERFECT 2 which her company produced (along with the first film). She took small steps leading to a big goal).

That big goal along with FURY ROAD and AGE OF ULTRON continued to push this year's box office to record numbers. We are now 5.7% ahead of ;last year and a full 12.7% ahead of 2013... and summer hasn't even started! Hollywood is making the films America (and the rest of the world) wants to see! Sequels.

2) MAD MAX and the strangest series of films ever!

3) Natalie Portman Interview.

4) First Pictures From Upcomming Films.

5) Return Of Ealing Studios...

6) Paul Schrader, Nic Cage, Eddie Bunker, DOG EAT DOG.

7) New Trailer For MINIONS.

8) Cannes Deals.

9) Legal Tools For TV Content Creators/

10) Collin Farrell Talks About THE LOBSTER.

11) More Of Those PLANET OF THE APES Movies.

12) Interview With Woody Allen.

And the Car Chase Of The Week:



From one of my favorite movies about the film biz AN ALMOST PERFECT AFFAIR, about a film maker trying to sell their movie at Cannes.

Bill

Buy The DVDs

IMPORTANT UPDATE:

It's Not About Time - Structure has nothing to do with chronology.
Dinner: Pork chops & brown rice & broccoli.
Pages: Working on the FURIOUS WRITING class.
Bicycle: Short ride.

Movie: A GIRL WALKS HOME ALONE AT NIGHT on DVD. Beautifully shot, but I'm not sure the intended story made it to the screen.

Wednesday, May 13, 2015

Sorry, I Don't Have One Of Those!

From this time five years ago (2010)...

I have a big stack of completed scripts, but when I read the ads on Ink Tip’s free newsletter looking for specific types of scripts - I don’t have any scripts like that. And some of the requests are even for normal types of scripts. Sure, there are lots that are looking for a musical western with two roles for little people and one for a 70 year old blond haired blue eyed ex-movie star which can be filmed in Romania and feature some nudity... but there are also some for Family Holiday Scripts - and I don’t have one of those. When I read those ads I think I should just spend a year writing one of everything, so that when someone asks for a disaster script, I have one.

I have an old horror-western about the ghosts of Native Americans that get revenge that needs a serious rewrite. Plus a Western outlined, and it’s a cool story called THREE DEADLY GUNS about a town that is a haven for retired gunslingers - and how two old men and the daughter of a famous desperado have to fight the three current top gunslingers to protect a convicted man from the town’s lynch squad... so he can he legally hanged in Yuma Prison. I had this idea 20 years ago and never wrote it - and I’m glad... because now that I’m an “old man” I think I can write it better than I ever could have 20 years ago. I know what it’s like to think you have the reflexes of a 20 year old... but don’t. I know what it’s like to understand your limitations. One of my old notes says “Lethal Weapon as a western - nonstop action”, and what is funny about that is how leisurely paced LETHAL WEAPON looks these days. That is scheduled to be written and the horror-western will someday be rewritten.

I also have an unusual holiday story I want to write from a thing that happened to my sister. The fictional version is about a band whose van breaks down in a small town on their way home for Christmas, and they have to earn enough money to get it fixed... by playing a different kind of music every night. Jazz, country, classical, punk, metal, folk, etc. At first they just want to *use* the town to make enough money to spit, but they end up becoming involved with the people through playing music at these events.

Because people always seem to be looking for disaster movies for TV, I made a list of different types of natural disasters and was surprised to see a few that have *never* been put on film - probably because they are kind of weird. But weird is a great thing - and I may generate a couple of treatments for those in my spare time... if I ever find any.

I have an old comedy script that is perfect for Jonah Hill or any of those other new comedy guys - but the script doesn’t work. I've figured out what is wrong with it - it’s not very funny, but that is due to a weak plot - and it’s on the big board for a rewrite. I have realized that comedy - which most people think doesn’t really need strong plotting - really does need a solid plot to build jokes on. Otherwise, the jokes can seem forced and contrived. I learned this from PINEAPPLE EXPRESS which often seemed to have the story reach for the jokes, instead of finding the jokes within the story. The stronger the story, the easier to find the jokes within it. So I’m going back to the drawing board on that story to make sure it’s solid. I hope that I can write it funny enough for someone to see the potential in it if an actual funny person does a rewrite.

That is my only comedy script, though I do have a couple of outlined comedies that are ready to write - except they are more comedy-dramas... and those do not sell at all. One is about my years working the midnight to 9am stocking shift at Safeway Grocery called THE NIGHT STALKERS - that one has had act 1 written for a couple of decades.

I do not have a rom-com, nor do I have any good ideas for one. I should come up with *something* for that, right?

I also have a handful of outlines & synopsis for “stunt” contained thrillers like PHONE BOOTH or PANIC ROOM or BURIED. The one of those I like best is called BREAKING NEWS and it’s on the To Write List - about an overly ambitious female news reporter who ends up a hostage in her news van as it is part of a high speed chase.

But every time I think about all of those outlined scripts I have, and all of the one page synopsis for potential scripts, and all of those treatments I’ve written, and... well, where would I find time to write them all? I mean, the stuff I have now will probably never get written, let alone one of every popular genre I don’t have a script for. Some of these things I will write, because they are great ideas and I have them on the big to do list - um, at the bottom. Others are thing that I can pull out a treatment for if someone wants a female lead jungle action flick or a horror movie about people who wake up in a maze of booby traps handcuffed to the person they most want to kill... who is now their partner, or a cool horror movie version of ONE FLEW OVER THE CUCKOO’S NEST. Hey, I got that!

Maybe I should just be happy with what I have and not try to have everything. I’m never going to have a rom-com, anyway, and that’s what makes the most sense to write to sell. And I already plan on rewriting my old unfunny comedy script.

You can’t have everything. You can’t play every position on a baseball team. You have to look at your strengths and focus on those. Sure, part of selling a script is having the exact script that someone wants to buy - and then having them read your script (that’s the luck part of this business) but if one company is looking for those rom-coms I’m not interested in writing, all I have to do is wait for the next company or the company after that or after that and eventually we get to the producer who is looking for a thriller or action script or something else in my “wheelhouse”. That’s what they call your specialty genre(s), your skill set, the genre(s) where your talents lie. Your “wheelhouse”. Nobody does everything well - we all have strengths and weaknesses. If you could never see yourself writing a horror screenplay - don’t write one. Find the kind of screenplay that studios buy and millions of people want to pay to see that you *do* see yourself writing... then don’t just “see yourself” writing those scripts - actually do it. (Writing while looking in a mirror might qualify as “seeing yourself writing that kind of screenplay” but it’s also kinda weird.) Figure out what you do best, then do that.

Even if the Ink Tip script requests are for weird things, eventually there are requests for a great script in a popular genre... and there’s your open door.

- Bill

IMPORTANT UPDATE:

TODAY'S SCRIPT TIP: Chapters & Split Screens - SISTERS and CITY OF GOD.
Dinner: Taco salad.
Bicycle: Saturday rode a little farther north than usual to a BBQ at Bamboo Killers Emily's new house. I had brought a sweatshirt in one of my light backpacks, but it was nice at 10pm when I rode home. Shirt sleeve weather.
Pages: Not much done.
Movies: POPATOPOLIS and RETURN OF SWAMP THING.

Monday, May 11, 2015

Lancelot Link: TV or Not TV?

Lancelot Link Monday! TV shows cancelled by the dozens! New shows announced! All of this while movies are breaking box office records! While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Age Of Ultron................... $77,203,000
2 Hot Pursuit..................... $13,300,000
3 Age Of Adeline................... $5,600,000
4 Furious 7........................ $5,272,000
5 Blart!........................... $5,190,000
6 Ex Machina....................... $3,470,000
7 Home............................. $3,000,000
8 Woman Gold....................... $1,652,000
9 Cinderella....................... $1,574,000
10 Unfriended....................... $1,412,000




2) Tom Hardy On Filling Mel Gibson's Shoes.

3) HATEFUL EIGHT Photos.

4) VACATION reboot Red Band Trailer.

5) AVENGERS: Age Of CGI Overkill?

6) The Science Of GAME OF THRONES!

7) Orson Welles Mercury Theater Archive.

8) The Real World Of Indie Film Distribution.

9) Professor X Is Bald In New X MEN movie...

10) How To Get Elijah Wood To Produce Your Film.

11) Trailers For NBC's New Shows.

12) A Sequel To The THREE STOOGES FILM flop? Elevated Genre Screenplays Meet Descended Genre Screenplays!

And the Car Chase Of The Week:



Yesterday was Mother's Day.

Bill

Buy The DVDs

IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

Wednesday, May 06, 2015

Movies Are Ancillaries Of Toys!

From 2009...

And Soylent Green tastes a little weird...

A week ago I did a Doom & Gloom blog entry about the state of the biz after from a dead American Film Market and realizing that indie films and indie genre films are in big trouble these days... and studio movies? Well, it seems like movies today are now an ancillary of toy companies - Hasbro is a film producer now! For real. And Marvel comics is a film producer, they have a deal with Disney. And this just sucks for screenwriters who don't want to write GI JOE 2 or SLINKY: THE MOTION PICTURE...

The biggest mistake of my career is that I am a writer who really wants to tell his own stories and seems to have a bunch of stories to tell. I would much rather write an original script than adapt someone else’s material - and have turned down jobs I should have taken. I always joke about ANGELS & DEMONS, but had I said yes instead of no my name would probably be on a big Ron Howard / Tom Hanks movie right now instead of on some cool spec script I wrote instead that still has not sold. Hey, and that was *before* movies had become just an ancillary right of Hasbro and Marvel and Sony Playstation.

They are making MONOPOLY THE MOTION PICTURE and Ridley Scott is directing.

They are turning a guy’s *Twitter account*, SHIT MY DAD SAYS, into a TV series.

I have a Script Tip called Writing For Toys that gets me a dozen angry e-mails whenever I run it, because it says we should consider the ancillary rights when we write our original screenplays, because that is an elements that the producers are considering. If they have two specs on their desks and one is a perfect for games and toys and Happy Meal tie ins and a Saturday morning cartoon spin off, and the other can only be a movie; guess which one will make them the most money? Hey, you may think this is art, but the guys buying our scripts are businessmen and are making an investment in our screenplays with the hope of making a good return on that investment. They are going to pick the screenplay that will make them the best return. That Script Tip is now out of date because movies are the ancillaries now. They aren’t looking at our spec scripts any more, they are looking at what board game hasn’t been filmed yet, what toy line can be a summer tentpole, what comic book might be the next IRON MAN. It’s long past thinking about the ancillary rights when you write a spec...

Depressing, huh?

As I said in the Doom & Gloom blog entry - Uwe Boll is a genius! He was the one who figured this out before anyone else, before any of the studios, and began making the movies of video games while studios were still thinking the business was all about making movies and then making the videogames of movies.

Terry Rossio (and Ted Elliott) have a column on their site called Mental Real Estate that foresaw all of this a decade ago. This column used to be one that I understood but disagreed with - my theory was that popular movies required original ideas, not some idea so worn out that everyone on the globe knew about it. Of course, that little PIRATES OF THE CARIBBEAN movie and its sequels proved me wrong. The Mental Real Estate model is the one Hollywood loves right now. “Hey, everybody knows Solitaire! We play it on our computers when we’re supposed to be working! And old people play it with actual cards! That makes SOLITAIRE: THE MOVIE ‘four quadrant’! We get the young *and* old audience! And SOLITAIRE has built in sequels that are also part of our Mental Real Estate - I can’t wait for the scary excitement of SPIDER SOLITAIRE, can you?” If you have an idea on how to turn solitaire into a movie, you can sell that to Hollywood. The business is more interested in the Universal than the Unique right now.

Depressing, huh?

Everything runs in cycles, so this trend will eventually burn out... but it may takes years, probably a decade. Now, the way we land a job like SLINKY: THE MOTION PICTURE is to write a great original spec with an amazing original idea... and that leads to writing a movie that is just an ancillary for a toy or game or comic book. So we still need to be writing original material... unless you can crack that SOLITAIRE movie (because that games is public domain). But this doesn’t satisfy someone like me, whose motivation is to see *my* scripts on screen. Though I have realized the error of my ways and would now probably take the ANGELS & DEMONS assignment or any of the others I turned down, because for some mixed up reason the biz respects the guy who adapts a popular novel more than the guy who can actually create their own story and characters... and more than the writer of that popular novel. I have learned that I need to play well with others rather than go to my own little corner in my own little room where I can be whatever I want to be. But am I going to write stuff like ETCH-A-SKETCH: THE MOTION PICTURE for the next decade until this trend dies out?

Depressing, huh?

So, Bill from Pulp 2.0 and I were talking about this... and instead of looking at this as The Death Of Cinema, we've decided to use this as an opportunity. To make lemonade out of the lemons. Basically, I’m taking my own advice and looking at projects with strong ancillary possibilities. I have a script called ANDROID ARMY that is often a bridesmaid, but so far has not been a bride. People keep *almost* making this script. The great thing about it is that it’s affordable sci-fi, and has some really strange characters. It is the only thing I've ever written that screams: "Action Figures!" It also screams video game and comic book and game cards and all of that other stuff. The stuff that used to be ancillary rights but now seems to be driving the market. So, we are going to try to set it up as a video game and a comic book and maybe even a toy line *before* we try to set it up as a movie. Instead of looking at the movie first and the ancillary stuff second, the plan is to reverse that - and look at video games and all of those things that used to be “after markets” as equals to cinema. To play this ancillary game Hollywood seems to be playing.

Hey, the economy sucks - games and comic books and all of those things that used to be ancillaries are hurting. We understand that. This is not a case of thinking that setting this up as a comic book is going to be easy, this is trying to break down some other door - find some other way in with this project. If we do all of this and nothing happens, how is that any different than trying to set up the script with a bunch of producers?

I did not start writing screenplays to sell dolls, but many of my favorite films have action figures... no, not CASABLANCA, but ALIENS does. So, for a while, if I have a choice between the story idea that can sell to multiple markets or a story idea that can only be a movie, I'm going to pick the additional markets one. I'm not writing anything I don't like, just selecting from ideas I do like or twisting an idea a little to give it additional chances to be bought and made. I’m kicking down different doors.

And that’s kind of exciting.

Instead of looking at something like SHIT MY DAD SAYS and complaining that some guy sold his *tweets* to Hollywood and they are making it into a TV series... I’m looking at things like tweets as a possible market that can lead to a script deal. Instead of looking at Diablo Cody breaking into the biz because she wrote an amusing blog about working as a stripper, I’m looking for a job as a stripper! Okay, I tried applying for a job at Bob’s Classy Lady in Van Nuys and they wouldn’t hire me to strip, even though my boobs are larger than many of the women on the pole. So I’ll have to blog about something else.

But the thing about Diablo Cody and the SHIT MY DAD SAYS twitter guy is that they are *writers* who are *writing something*, just in a different medium than screenplays. If you think about his tweets, it's not just a basic twitter account - it's very specific and all about one character (or maybe two) and it's funny. I can easily see this as a TV series. Yeah - you have to adapt it, but how is that any different than adapting Ray Romano's stand up routine into a series? This guy is writing 140 character scenes about a character! He has found a way to show off his comedy talents. Of all of the twitter accounts in all of the world, his is the one that will be turned into a TV series. Not mine... not even Roger Avary’s tweets from prison (though, he’s funny as hell, too).

The thing with tweets and blogs is that it's a writer getting attention with *no money* because they found a unique character or world to write about. One of my "FB friends" has a blog with all kinds of attitude and a very distinct voice and "world" - she writes hardboiled kick ass action stuff. Carole Parker, it’s over there –> She's damned smart, and FB spams the hell out of her stuff (usually with a smokin' hot picture of some babe with a gun to get your attention). I know her blog is going to land a screenplay deal because it’s unique and she’s working her butt off to get it in front of people. She has kicked in some other door that may lead to Hollywood. That’s one of those inexpensive things you can do to get Hollywood’s attention. I'm looking at something like that myself - a fictional blog that is really a novel in disguise. Costs me nothing to get that out into the world.

I think the challenge for us now is to find stories that have some sort of additional market. Something that makes this script a "web natural" or a comic book or game or action figure or whatever else *in addition* to being a great screenplay. This ancillary thing isn’t a problem, it’s a solution. Before we only had the one door that we could try to get through - the movie door. Now we have dozens of doors, dozens of possible ways in. We can write a blog or tweet or make webisodes or write a novel or write a comic book or create a game or toy or... well, don’t let me make a list that *limits* the possible doors. Find the door that nobody has thought of, yet. Be like Uwe Boll!

Okay, maybe not that last part.

But find where the door is and see if you can kick it open. The blog thing and the tweets and toys and comic books and videogames and whatever the hell else you can think of are doors. Kick 'em open if you can.

- Bill
IMPORTANT UPDATE:

TODAY'S SCRIPT TIP: Research - Who Needs It? - and many of my awful films.
Yesterday's Dinner: Fuddruckers bacon cheddar burger.
Bicycle: Rode *West* to a Starbucks with a bad layout.

Monday, May 04, 2015

Lancelot Link: May The 4th Be With You!

Lancelot Link Monday! It's STAR WARS Day! So we're going to look at STAR WARS news and MAD MAX news, because the two are closely tied to each other: ROAD WARRIOR and EMPIRE STRIKES BACK are often compared to each other, and they were released right after each other (1980 and 1981) and I remember having ROAD WARRIOR quench some of my awesome movie thirst while waiting for REVENGE OF THE JEDI... and now we get a new Mad Max movie and a new STAR WARS movie in the same year! Cool! What would the cross over film be? Max ends up on Tatooine? While you're thinking about that, here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...




Here are a dozen links plus this week's car chase...


1) Weekend Box Office Estimates:
1 Age of Ultron.................. $187,656,000
2 Age Of Adeline................... $6,250,000
3 Age Of Furious................... $6,114,000
4 Age Of Blart..................... $5,550,000
5 Age Of Home...................... $3,300,000
6 Age Of Cinderella................ $2,357,000
7 Age Of Machina................... $2,231,000
8 Age Of Unfriended................ $1,988,000
9 Age Of Longest Ride.............. $1,700,000
10 Age Of Woman..................... $1,681,000




2) THE FORCE AWAKENS on Vanity Fair.

3) FORCE AWAKENS Toys!

4) SUICIDE SQUAD news.

5) Home Entertainment Makes A Comeback?

6) Kris Kristofferson Was Han Solo?

7) Is FURY ROAD A Feminist Triumph?

8) George Lucas On THE FORCE AWAKENS.

9) Full Cast List From THE FORCE AWAKENS?

10) Jar Jar Binks in THE FORCE AWAKENS?

11) Guillermo Del Toro Interview.

12) Behind The Scenes on FURY ROAD.

And the Car Chase Of The Week:



Hang Onto Your Asteroids!

Bill

Buy The DVDs

IMPORTANT UPDATE:

-
Dinner:
Pages:
Bicycle:

Movie:

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