Sunday, July 15, 2012

Who Is That?

These days Movies and TV shows use star power to entice the audience to watch, and these days you are more likely to see a bunch of big star faces on a poster than a piece of concept art that gives you an idea of what the film might be about. Instead of selling a movie or TV show on the story, they seem to be selling the stars - it's George Clooney in some movie! Often you get that "three face advert" with the star and two co-star's faces... but no clue to what the movie or TV show might be about. I prefer those old movie posters that were all about the story - and lately on Thursday's links I've posted some great retro posters and posters from other parts of the world where the story is summed up in a great image.

But here's my question: If you are going to sell a movie or TV series on the face of the star, shouldn't we be able to instantly recognize that face?

Who is this:


Okay, by now you may know - because there have been other promos for the show. But when I first saw this advert on the side of a bus in Los Angeles, I wondered who that was. Took me a while to figure it out, because they have airbrushed and photoshopped the hell out of her. They have taken a very attractive 63 year old woman and removed all of the lines from her face... including the ones that identify her. So she may look younger in the photo, but she also doesn't look anything like the movie star we know and love. I had to see that poster a few times before I figured out who it was... and I may have only figured it out because I finally read her name on the poster. Oh, wow, that's who that is!

But what good does it do to use a star's face to sell your TV show or movie if you make that star's face difficult to recognize? That doesn't make any sense at all! And it's not like this is some show they need to sell to the 15-25 year old audience...

I think this ties in to larger issues of aging in Hollywood, but what's crazy to me is that it's reached a point where it's *hurting* the business. If they make the stars look younger and we can't recognize them - what's the point of putting them on the poster?

- Bill

Wednesday, July 11, 2012

Warning! Steel Sharks! Avoid TV!

UPDATE: STEEL SHARKS is on STARZ IN BLACK on Friday July 13th @ 5:35 AM and Thursday July 19th @ 7:00 AM - it was on during evening hours earlier in the month but I forgot to warn you.

Also playing on ENCORE ACTION on Thursday August 2nd @ 5:05 AM and 5:10 PM and August 6th @ 3:00 AM.


It has already played on Showtime and Encore Regular in May.


- Bill


***

STEEL SHARKS on Showtime!

STEEL SHARKS airtimes on Encore!

- Bill





bluebook

IT'S BACK!
*** SECRETS OF ACTION SCREENWRITING *** - For Kindle!
*** SECRETS OF ACTION SCREENWRITING *** - For Nook!
Why pay $510 for a *used* copy of the 2000 version when you can buy the Expanded 2011 Version - now over 500 pages - for $9.99? NEW Chapters! NEW Techniques! NEW Examples! It's the book pro screenwriters recommend! An Oscar Winner and the co-writer of FOUR of the Top 20 Box Office Movies Of All Time recommend it! (which is probably why someone is selling a used copy for $510.) Filled with techniques you will not find anywhere else!
Only $9.99 - and no postage!


bluebook

NEW!
*** DIALOGUE SECRETS *** - For Kindle!
*** DIALOGUE SECRETS *** - For Nook! (coming soon)
Expanded version with dozens of ways to improve your dialogue! Print version is 48 pages, Kindle version is almost 200 pages!
Only $2.99 - and no postage!


bluebook

NEW!
*** YOUR IDEA MACHINE *** - For Kindle!
*** YOUR IDEA MACHINE *** - For Nook!
Expanded version with more ways to find great ideas! Print version is 48 pages, Kindle version is around 155 pages!
Only $2.99 - and no postage!


bluebook

NEW!
*** CREATING STRONG PROTAGONISTS *** - For Kindle!
*** CREATING STRONG PROTAGONISTS *** - For Nook! (coming soon)
Expanded version with more ways to create interesting protagonists! Print version is 48 pages, Kindle version is once again around 155 pages!
Only $2.99 - and no postage!

Wednesday, July 04, 2012

Lancelot Link: Left Over July 4th BBQed Links.

Lancelot Link Thursday! To prepare you for the SPIDER-MAN reboot here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are five cool links plus this week's car chase...

1) Movie Flow Chart

2) TAXI DRIVER in 2012.

3) Highest Paid Actors - the Forbes List.

4) DELIVERANCE turns 40.

5) DELIVERANCE turns 40 - my article.

And the car chase of the week...



- Bill

Wednesday, June 27, 2012

Lancelot Link: Knil Tolecnal!

Lancelot Link Thursday! To prepare you for MAGIC MIKE here are this week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are seven cool links plus this week's car chase...

1) Tom Hanks on Nora Ephron.

2) Billy Mernit on Nora Ephron.

3) Shane Black on Action Movies.

4) Timeline for PULP FICTION.

5) What happens when a Pixar illustrator turns R rated movies into a kid's book?

6) The recycled dialogue of Aaron Sorkin.

7) 10 Rules Of Hollywood Blockbusters That Hollywood Forgot.

And the car chase of the week...



From one of several movies titled BLACK RAIN.

- Bill



bluebook

IT'S BACK!

*** SECRETS OF ACTION SCREENWRITING *** - For Kindle!

*** SECRETS OF ACTION SCREENWRITING *** - For Nook!

Why pay $510 for a *used* copy of the 2000 version when you can buy the Expanded 2011 Version - now over 500 pages - for $9.99? NEW Chapters! NEW Techniques! NEW Examples! It's the book pro screenwriters recommend! An Oscar Winner and the co-writer of FOUR of the Top 20 Box Office Movies Of All Time recommend it! (which is probably why someone is selling a used copy for $510.) Filled with techniques you will not find anywhere else!

Only $9.99 - and no postage!



bluebook

NEW!

*** DIALOGUE SECRETS *** - For Kindle!

*** DIALOGUE SECRETS *** - For Nook! (coming soon)

Expanded version with dozens of ways to improve your dialogue! Print version is 48 pages, Kindle version is almost 200 pages!

Only $2.99 - and no postage!



bluebook

NEW!

*** YOUR IDEA MACHINE *** - For Kindle!

*** YOUR IDEA MACHINE *** - For Nook!

Expanded version with more ways to find great ideas! Print version is 48 pages, Kindle version is around 155 pages!

Only $2.99 - and no postage!



bluebook

NEW!

*** CREATING STRONG PROTAGONISTS *** - For Kindle!

*** CREATING STRONG PROTAGONISTS *** - For Nook! (coming soon)

Expanded version with more ways to create interesting protagonists! Print version is 48 pages, Kindle version is once again around 155 pages!

Only $2.99 - and no postage!

Thursday, June 21, 2012

Lancelot Link: Part 2

Lancelot Link Thursday! Before there was Abraham Lincoln: Vampire Hunter there was Lancelot Link: Spy! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are four cool links plus this week's car chase...

1) Looking For Some Classic Horror Scripts To Read?

2) BLADE RUNNER in watercolors.

3) Symbolism In Novels - The Untold Story!

4) Suicide Notes Of The Rich And Famous.

And the car chase of the week...



- Bill

Wednesday, June 20, 2012

Mobile Phone Nightmare Continues

So, I have been without a working phone for well over 2 weeks. My old phone went swimming a couple of months ago, I got a new smart phone... and it had trouble booting right out of the box. But after that it worked well for a month (with some small issues) and then started crapping out again and again. Over 2 weeks ago it got stuck in the boot-loop, yelling DROID! every few minutes.

I took it to the Verizon store, where they did a "factory re-boot"... which worked for a day. A little over a week ago I went back and told them the danged phone still didn't work - they tried the factory reboot again and nothing happened... so they ordered me a replacement phone.

I waited for the danged thing to arrive for over a week - and it never did.

I was having dinner with a friend who was telling me about ordering a replacement credit card that never arrived, and when he called the bank they told him it had never actually been ordered. Someone forgot to push the button.

So I went to the Verizon store again yesterday to make sure someone pushed the button... and that's why my phone never arrived. It was never ordered. So we went through the whole things again - they needed to make sure the phone could not be factory rebooted before ordering me a new phone... and *this time* I asked for paperwork on the order. Got it. So I should have a phone again on Thursday. Sorry if I never returned your call...

UPDATE: I know have a working phone.


- Bill
IMPORTANT UPDATE:

TODAY'S SCRIPT TIP: Cool World -
Dinner: Popeye's Chicken.
Pages: A new chapter for a Blue Book expansion.
Bicycle: After a few long rides, some short ones.

Movies: HYSTERIA.

Otherwise known as “That vibrator movie with Maggie Gyllenhaal”.

Amusing little film that seems as if it were made for an American audience by British people... who don’t really understand American audiences. The film is the result of about a dozen European production companies and studios working together, and though it takes place in London was filmed in Luxembourg. Though the love/hate relationship between Gyllenhaal and Hugh Dancy seems perfect for a barrage of clever zingers like the banter from a Howard Hawks movie or a Tracy/Hepburn movie; the writers decided to make it more subdued humor... at times almost a comedy of manners. Though I wouldn’t want to be the development executive giving them a note like “Should be banter instead of soft comedy” - it *does* seem like the male/female relationship and some of the story elements fit that style of comedy better. But what they did, they did well. So it’s a light comedy that seems to be made up of three different stories that somehow all manage to work together pretty well.

One story is about a wealthy doctor’s daughter (Maggie Gyllenhaal) who is so fiercely independent that she turns her back on society and spends her time working with the poor and destitute in a shelter - she has run ins with her father who wants her to get over this silliness and take her place in society.

The second story is about a once idealistic doctor (Hugh Dancy) who sells out and becomes the Victorian England version of a Beverly Hills plastic surgeon, providing manual stimulation to wealthy women with symptoms of frustration and dissatisfaction and sometimes even anger - which is known as the medical condition “Hysteria”. He diddles them, they feel better... they make lots of future appointments. He has kind of a coming of age story when after becoming engaged to his boss’s daughter and seeing a day when he might someday take over the practice and hire other young doctors to manually stimulate wealthy women, finds his idealism again.

The third story is about the accidental invention of the vibrator by a wealthy wacky inventor (an almost unrecognizable Rupert Everett) who was trying to make an electric feather duster to help with house work.

Though there’s a title card that says “based on true events” or some such thing, I believe the third story probably has some truth to it and the other two are pure fiction. Fiction created to take what’s probably a fairly boring story and make it fun. And the writers actually make it work as one story (with some rough edges from time to time). The father of the independent woman is the doctor who owns the diddle practice our once idealistic doctor goes to work for, and the wacky inventor is our idealistic doctor’s college chum and best friend. There are times when the film cuts between the three where it becomes obvious that these are three different stories glues together by that montage. Other scenes that work perfectly in their own story seem to intrude on one of the others - especially a longish courtroom scene. And in order to tie the stories together with a happy ending, some things are resolved waaaaay too easy. But if you are an American who enjoys British films, this will probably be an enjoyable couple of hours in the cinema.

Oh, stay for the credits to see a history of vibrators - photos that run along the side of the credits.

- Bill

Wednesday, June 13, 2012

Lancelot Link: 2 Lancelot 2 Link!

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are six cool links plus this week's car chase...

1) Francis Ford Coppola interview.

2) The 22 Rules Of Screenwriting... from Pixar.

3) Exploitation Movie Posters Throughout History.

4) How Not To Write A Screenplay.

5) *Prehistoric* Movies... and the first directors were women!

6) 70mm Film Festival - $20!

And the Car Chase Of The Week...



DIAMONDS ARE FOREVER - just before Roger Moore and hick cops became the new low for Bond movies, this moon-buggy chase.

- Bill

Sunday, June 10, 2012

Take Him To The Rack!

So, you may be wondering why the promised new Fridays With Hitchcock was *again* delayed...

A coupled of weeks ago I rode my bike to Big 5 Sporting Goods to buy a new backpack. My old one - a couple years old and an ugly powder blue - was starting to tear. It was still usable, but why not get a new one? When I pulled up at Big 5, there was a banner announcing a bike sale. Though my trusty Schwinn is about 3 years old, it’s in okay shape (one of the shifters is loose) and I just replaced both tubes and even took some furniture polish to the frame to make it look pretty. No reason to replace it. Rides well. Broken in but not broken.

But at Big 5 - no place to lock it. Though they had that big banner announcing a bike sale, there was no place to lock a bike outside. No bike rack. The best you could do is lock to the pole announcing that this space is Handicapped Parking. There were two of those... and the other one had two bikes locked to it. When I began locking my bike, the couple came out of Big 5 and I joked about the bike sale banner but no place to lock up... and as fellow members of the chain gang, they joked back... and we had a conversation about all of the places where they don’t provide anyplace for you to lock a bike... yet they’ll gladly sell you one.

And that makes no sense.

Here in Los Angeles we have pollution problems (you may have heard) so there’s this thing called Ride Share Thursday. You see, the smog was so bad at one point that 7% of all natural cause deaths in Los Angeles were directly related to auto pollution. So the EPA demanded the city clean up their act - which is where this toy subway came from. But also a bunch of voluntary things like Ride Share Thursday, where people are encouraged to car pool and bike and use public transit to work. I don’t think anyone actually does it - but the city is promoting the idea of people bicycling... yet many business have no place to park your bike once you get there. Imagine driving to the mall in your car... and there being no parking at all! Slowly the city has begun putting up these upside down U shaped “racks” all over town, so there are now some places to lock up. Still some sections of town where you have to lock to a light pole or something.

I often go to the AMC theaters in Burbank... which have no place to lock a bike at all. A couple of years ago at the AMC North, I locked my bike to the little fence that separates the parking lot and sidewalk - and a Security Guy told me I couldn’t park there. I asked him *where* I was supposed to park, and he said not his problem. So I had to take my bike off the mall property and lock it to a light pole. The problem with that is - locked next to the cinema is safer than out on the street.

When I went to see AVENGERS at the AMC 16 (the big new cinema in its own outdoor mall) there were at least *60* bicycles parked around the outdoor mall - locked to light poles, trees, stairway railings, etc. Because there are hundreds of parking spaces for cars and not a single place to lock a bike - anything you could lock to was taken! I ended up parking my bike way down the street on one of Burbank City’s bicycle shaped “racks”. But I wondered why the mall didn’t have anyplace to lock a bike, when obviously they have plenty of customers who ride there? One of the other malls I go to regularly (an uncrowded Starbucks) has a section of their parking lot designed for bicycles and motorcycles. A couple of okay bike racks (there are good bike racks and basically pointless ones) - and they are always filled. But the AMC and mall have no place to park cycles of any kind. It’s not uncommon to see motorcycles sharing a space between a couple of parked cars. Just seems short sighted... and unfair, if not somehow illegal. I mean, if the city *requires* so many parking spaces for the mall - when they built the new cinemas they had to build a new parking structure to get their permit so that all of those people who go to the movies will have a place to park... and it’s still mega-crowded on Friday and Saturday night and you have to park your car in the city structure a few blocks away and hike - why doesn't the city require places for bikes and motorcycles to park? And why doesn’t the property owner do it without regulation? Nobody does *anything* without regulation and laws! If there weren’t health codes, you’d be eating plate scrapings from the last customer... and some places, you still might. But with bicycles - nobody cares. So, well over 60 customers on opening night of AVENGERS get screwed and have to fend for themselves.

I was there once and saw two Bike Cops trying to figure out where to lock up when they went into Chipotle to get a burrito. They ended up handcuffing their bikes to a tree!

7 DAY STRETCH

So, at the end of week before last I go to see BATTLESHIP at the AMC 16, and there are about a dozen bikes locked to light posts and stair rails, and I go to lock up on a tree and a passing Security Guy says I can’t do that. I ask where I’m supposed to lock, he says not his problem... and I wait until he leaves and lock up to a light pole. I grab a burrito and see the wonderful fabulous imitation Michael Bay movie and go down the stairs to grab my bike... and it’s not there. I look around - maybe I parked it somewhere else? The problem with somewhere you regularly go to is that your memory may play tricks on you - so maybe I parked it on that pole last time and this time I parked it on the other side of the outdoor mall? Nope. No bike.

So I call Mall Security on my new phone - which has problems - and get them to send a guy over so that he can take down my info and tell me I wasn’t supposed to park there and there isn’t a place to park bikes at the mall and I should file a police report... and that *maybe* they have the thief on tape, because I managed to lock to a light pole right in the line of sight of a security camera. None of this makes me happy.

I go home (an adventure!) and the next day take the bus to Target and buy a new bike (driving one vehicle to buy another vehicle makes no sense to me... and then I have a bike hanging out of my trunk). Because I was stinging from having my bike stolen, I bought a cheap bike and an expensive lock. One of those $100 Made In China bikes. As soon as I rode it away - heading down Victory into Burbank to the police station - I regretted not just buying another Schwinn - because even if Schwinns are all made in China now, they are better made than the $100 bike... which was heavy and sluggish and the brakes and gear shifters were too close together and difficult to operate. You don’t really want brakes that are difficult to use.

So I get to Burbank Police Department, where I wait 45 minutes for an officer to come out and fill out a police report... only to tell me I should have reported the theft immediately after it happened, because they may have pulled over a truck filled with bicycles and recovered mine. I asked if they *had* pulled over a truck full of bicycles the night before, he said no. So, um, why are you giving me a hard time? Yes - I said that out loud. I’m lucky I got out of the police station without being arrested. Oh, by the way - no place to lock a bike at the police station. I locked to the stair railing.

The officer told me they seldom recover bikes... even though the mall had video of the guy stealing my bike! He also told me bikes get stolen from there often.

Oh, and this was *right before* the Great American Pitchfest.

CALLS FOR HELP

Meanwhile, my new phone is a piece of junk. After working fine for a month, it suddenly has begun freezing and getting stuck in a reboot-loop yelling DROID! constantly. One night the phone wakes me up yelling DROID! over and over again for almost an hour... then just dying. The problem is - my phone is now my watch and my phone book and my calendar and all kinds of other things. When my phone dies, I’m lost. This new phone replaced my old one that accidentally went swimming. It was just a regular phone, this new one is a *smart* phone.

The old phone came with an instruction book. The smart phone came with a quick start guide... and the instructions on the phone itself. Some instructional videos, too. The problem was - there were no instructions on how to find the instructions on the phone. I found them once, and then couldn't find them again. So some things the phone could do... I didn’t do because I couldn’t figure it out.

Okay, here’s the problem: when the phone starts going crazy and yelling DROID! all day, and you want to look at the instructions and see if there’s something simple you can do... the instructions are on the phone. You know, the phone that isn’t working.

Before I went online and found the instructions and read them (not very informative when it comes to things going wrong, but *really* informative when it comes to buying aps), I pulled out the battery to force it to reboot. And *sometimes* that worked... and sometimes it got caught in the DROID! cycle again. Then, my phone wiped all of my contacts and phone numbers and past texts and everything. This happened overnight without me pulling the battery or playing with it in any way. I can’t call anyone - I don’t know their number! And the damned phone still keeps yelling DROID!

Meanwhile, that new backpack I bought? Begins tearing like crazy. The fabric is cheaper than the old backpack, and every seam begins to tear open. Guess what? I threw out the old backpack! So now I need to get a new backpack and a new phone and...

RACK ‘EM UP!

I ride the cheapo bike all week, and don’t like it anymore. I have drinks with friends in downtown Hollywood - where you wouldn’t want to park your car - and lock my bike on a U on the street with the expensive lock and my phone yelling DROID! from my shirt pocket. I have to pull the battery to shut the damned thing up, and when I come out of the bar my bike is still there by some miracle... and not gang tagged or defaced in any way.

A couple of bikes back I had a side-saddle basket on back, and when I parked it on the street I would return to a basket full of trash. I’d ride to the nearest trash can and throw it away... then find someplace to wash my hands. But no one left garbage on my bike that night.

I need to take my mind off the phone and backpack issues, so at the end of last week - seven days after my old bike was stolen - I park my crappy new bike outside the AMC 16 in Burbank, using that super-strong lock to lock it to a light pole... my phone yelling DROID! the whole time. This time I pick a light pole in front of a restaurant, where people might notice someone with bolt cutters or a torch stealing bicycles. I go see SNOW WHITE AND THE HUNTSMAN, pull the battery fron my phone so that it will stop yelling DROID! Two hours later I leave the cinema and go to my crappy bike... and it’s gone. The lock sliced by some freakin’ industrial boltcutters or something. I walk directly to the police station and report it stolen to a cute Aussie or NZ female officer, and have another exciting trek home by bus.

Two bikes stolen in one week!

My phone completely screwed up!

My backpack falling apart!

The next day I go back to Target and buy a fucking new Schwinn and a kryptonite lock *and* a cable lock. Oh, and a can of flat gray spray paint. When I get the bike home, I deface it with the spray paint. Then I go to the Verizon store where they tell me my DROID! yelling phone is just stuck in a loop and they can do a factory reboot... but my contacts are gone forever. I have a old phone somewhere that can be used to transfer them... whenever I find that old phone.

They fix the phone, I get on my defaced bike (not stolen) and go home.

I am awoken in the middle of the night by the phone yelling DROID! over and over again. It’s still broken.

That was my week. This one *has* to be better. It will begin with me buying a new backpack and then shoving my phone up the butt of someone at the Verizon store.

I will never see another movie at AMC Burbank again, and plan to boycott all businesses that do not have bike racks.

- Bill

PS: On Saturday - with my DROID! yelling phone turned off - I spoke to the Scriptwriter's Network on the Universal Lot along with Zak Penn. It went better that the week that had preceded it... almost anything would have.

Thursday, June 07, 2012

Lancelot Link: Vampire Hunter

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are seven cool links plus this week's car chase...

1) Blog about making a no-budget film - is filled with valuable lessons.

2) PROMETHEUS screenwriter Jon Spaihts.

3) Indie Blockbusters? How the LOTR movies saved indie films... until WB killed them!

4) Turn any website into Samuel L. Jackson's website with this handy gizmo!

5) DJANGO UNCHAINED trailer...



6) Super 8mm behind the scenes footage from REVENGE OF THE JEDI!

7) James Bond at 50... this is the 50 year anniversary of Dr. NO.

Car Chase Of The Week:


Top 5 James Bond Car Chases...

- Bill

Thursday, May 31, 2012

Lancelot Link:s

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are five cool links plus this week's car chase...

1) Famous notebooks of Famous Writers.

2) SNOW WHITE AND THE HUNTSMAN - writer interview!

3) Aaron Sorkin on Steve Jobs bio-pic.

4) PIRANHA 3DD - director and writers explain the Academy Award Issues.

5) Writer Roundtable - Getting Notes.

And the car chase of the week...



From THE STREETS OF SAN FRANCISCO (a Quinn-Martin Production) - tonight's Guest Star - Leslie Nielsen. This was TV in the 70s... lots of stunts!

- Bill




bluebook


FINALLY!

*** THE SECRETS OF ACTION SCREENWRITING *** - For Kindle!
*** THE SECRETS OF ACTION SCREENWRITING *** - For Nook!

Why pay $510 for a used version of the 240 page 2000 version that used to retail for $21.95? (check it out!) when you can get the NEW EXPANDED VERSION - over 500 pages - for just $9.99? New chapters, New examples, New techniques!

"SECRETS OF ACTION SCREENWRITING is the best book on the practical nuts-and-bolts mechanics of writing a screenplay I've ever read." - Ted Elliott, co-writer of MASK OF ZORRO, SHREK, PIRATES OF THE CARIBBEAN and the sequels (with Terry Rossio).(ie; 4 of the top 20 Box Office Hits Of ALL TIME.)


Only $9.99 - and no postage!

Tuesday, May 29, 2012

Book Report:
Bottom Deal

So, I’ve read a pile of books since the last report, but never got around to typing them up. For some reason I have never read Lawrence Block’s Hit Man series - though I’ve read almost everything else he’s written. So, I finally got around to that - and the first book HIT MAN is interesting, so I’ll have an entry on that soon, but first...

BOTTOM DEAL by Robert Gregory Browne.




I don’t know if I’ve ever met Robert in person, because there were some group meet ups ages ago where I met a few dozen people I knew from online all at the same time, but I’ve known him from online for a couple of *decades*. He was probably one of the first people to buy the action book, long ago. He’s a Nicholl Award Winning screenwriter and novelist and a year ago one of his books was made into a TV series pilot for CBS ... which didn’t seem to get picked up. That’s a shame, because the book kicked ass. I’ll talk about it later, but first this novelette (or novella - I really don’t know where the cut off is).

BOTTOM DEAL is about gambling addict ex-Las Vegas Homicide Detective Nick Jennings who has drifted to the wrong side of the law... and gets a call from a woman from his past, Holly. An ex-hooker who pulled a PRETTY WOMAN and married a rich client, got out of the business and lived happily ever after. But now she’s in trouble and says people are trying to kill her. Exaggeration or a serious problem? By the time Jennings finds her, she’s been killed with *his* gun at *his* apartment - and he seems to be the prime suspect. Now he has to find the killer before they get enough evidence to arrest him... but he just keeps finding more damned dead people!

The story is some great hardboiled writing that reminded me of pre-Marlowe Chandler stuff. I read a bunch of crime stuff, but the thing that I miss are those long short stories that are halfway between novel and short. Not a quicky, but also not a novel. There’s almost a movie’s worth of plot - or at least an hour of TV’s worth. This story is also testosterone tough guy stuff - with that great smart ass attitude and banter between the detective hero and the cops who want to arrest him (one is his ex-wife... and her partner who wants to get Jennings to throw a punch so that he can beat the crap out of him and then arrest him for hitting an officer). The story takes us on a tour of Vegas we don’t normally see - the crappy casinos and fleatrap apartment buildings that don’t make the TV commercials. Hey, it’s 99 cents for Kindle and nook - and a fun read.

For more info on: BOTTOM DEAL - on Amazon.

KISS HER GOODBYE by Robert Gregory Browne.




Robert’s novel that was almost a TV series - KISS HER GOODBYE - is about an AFT Agent chasing a Manson-like cult leader who can get so deep into your mind that he haunts your dreams... and maybe controls you. When the AFT Agent’s estranged teenaged daughter gets kidnaped by the cult leader and *buried alive*, he now has the ultimate ticking clock to arrest the cult leader and get him to tell the location of his daughter... but *nothing* goes as planned. The story takes place is Chicago - and like BOTTOM DEAL, Robert shows us places that usually don’t pop up on the average movie or TV show. This book is a real page turner, and the mind control aspects of the cult leader are trippy and take the book into an almost supernatural realm. I read this in paperback when it came out, but now you can get it on Kindle for $3.99 - the pacing is relentless and every time you think you know what is going to happen, something far worse happens. There’s a scene halfway through that is like nothing I have ever read in a thriller before - a “You can’t do that!” moment, because it is so savage. If you think that might be a spoiler about the daughter - boy are you wrong! This story is completely unpredictable! It out TAKENs TAKEN!

For more info on: KISS HER GOODBYE on Amazon.

TRIAL JUNKIES by Robert Gregory Browne.




Robert’s *new* book is TRIAL JUNKIES, which I just bought (for Kindle) but haven’t started reading, yet. It’s currently the #2 Legal Thriller on Amazon... and #81 in *all fiction*. That puts him in the top 100 with all of the best selling writers. He was #1 in Legal Thrillers for a while - which put him *ahead* of the new John Grisham novel! I believe it’s an e-book original - another example of a professional writer going to where the market is. The book is also at $3.99 for Kindle.

Because I have yet to read it, here’s the official Amazon description:

THE #1 HOT NEW RELEASE AND #2 BEST SELLING LEGAL THRILLER ON AMAZON U.S.!

The first book in a new series from ITW Thriller Award nominee, Robert Gregory Browne:

"A MYSTERY I DARE YOU SOLVE"

Ethan "Hutch" Hutchinson hasn't seen his old college pals in nearly ten years. Now fate has brought them together again as one of the gang is put on trial for a brutal, senseless murder.

The Chicago police and prosecutor think they have their perp, but Hutch isn't about to sit silently in a courtroom as someone he cares about is wrongfully convicted.

"CATCH-YOUR-BREATH PLOT TWISTS"

When Hutch and his friends join forces to search for the real killer, what they find shatters every notion they have about friendship, loss and redemption... and may very well cost Hutch--and the woman he loves--their lives.


For more info on: TRIAL JUNKIES on Amazon.

After I read this, I hope to find time to do a book report on it... though I’m way behind on those as it stands... and by then Robert will probably have a couple books in this series!

- Bill

Thursday, May 24, 2012

Lancelot Link: Risk Addiction!

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are seven cool links plus this week's car chase...

1) EVERY line Rihanna says in the movie BATTLESHIP.

2) THE WIRE's Bible.

3) PROMETHEUS writer Jon Spaihts on creating a great space movie.

4) Ken Burns on Storytelling - is it *all* manipulation?

5) Stephen King's 20 Writing Tips.

6) TV Writer Round Table

7) They are closing post offices... but issuing these cool new stamps!

And the Car Chase Of The Week!



From DRIVE...

- Bill

Monday, May 21, 2012

Hacked!

So, a friend of mine's FB account got hacked on Friday and ran *shoe adverts* all day long - click to buy expensive sports shoes. It reminded me of the time my FB account got hacked over the holidays a couple of years ago, so instead of writing a new blog entry, here's a link to that old one...

http://sex-in-a-sub.blogspot.com/2010/01/new-script-tips.html

The strange part of this is how some stranger can suddenly take over our lives and do all kinds of crazy things we would never do (pimp sports shoes), and then leave *us* holding the bag. There's some thriller or mystery script in here somewhere (though it would have to be nothing like SHATTERDAY because that Ellison dude sues). When I was hacked two years ago, they posted messages on my friends walls from me saying all kinds of weird crap. Actually ruined a few friendships. What makes it worse is that a couple of those people have since passed away, and some crazy hacker's weird message is probably the last thing they read "from me".

Anyway - I'm sure there's a thriller story in here somewhere... except it would be a lot of looking at computer screens. If you ever see me on FB trying to sell you shoes - ignore it. Why the heck would I post about shoes?

- Bill

IMPORTANT UPDATE:

TODAY'S SCRIPT TIP: Balance - and TERMINATOR 5!
Dinner: Subway BBQ Chicken sandwich.
Pages: I'm almost done with this script... almost.
Bicycle: Short bike ride today, tomorrow they try to figure out how to tape the lot pass on the handle bars - I have a meeting.

SKYFALL...

Because this is a teaser it's short on details, long on mood... but part of this reminds me of the opening of the *novel* MAN WITH THE GOLDEN GUN where Bond becomes a Manchurian Candidate who can be triggered by a code word... to kill M!



One of the things that this new go-round of films might consider is taking the plots from the novels, many of which have completely different stories than the films which share their titles. They did that with CASINO - which is very much like the novel, down to Bond getting his testicles whipped.


I hope this film is better than the last one - with that henchman who rivals Odd Job named Bowl Cut (or something) and that plot to do whatever it was they were doing. It seemed like the idea of hiring Marc Forster completely backfired and they ended up with the KITE RUNNER version of Bond. I think this concept of finding art house directors is just a mistake - and when you look at the directors who made the Bond films that brought the series back from failure, we're talking about... Martin Campbell (GOLDENEYE and CASINO). The other directors who have made big money Bond films tend to be action guys. The art house director experiment often fails - and I wonder whether AMAZING SPIDER-MAN will work. It's as if Hollywood is unable to figure out who actually has the skills to pull off a movie, so they make what they think is a creative decision to hire the *least likely* director to make this kind of film and hope that director who has maybe done some art house dramas can pull off a big action-based franchise film. See, that doesn't even make sense when you type it.

I think the reason why SKYFALL *may* have a chance at working is that Sam Mendes has done REVOLUTIONARY ROAD... but also ROAD TO PERDITION (arty - but with action scenes). But he's still not even on the list of directors I would ever consider to make a Bond film. An action film is all about the action - the story is *told* through the action. So you can't just hand that stuff off to some second unit guy - the DIRECTOR needs to understand action scenes. Someone like Roger Spottiswood or Martin Campbell know action, but Marc Forster didn't seem to have a clue.

Remember how we got Indiana Jones? Spielberg wanted to direct a Bond film... he was the hottest director in town, and they turned him down. When he told Lucas about this, Lucas came up with a project for Spielberg to direct that would be "better than Bond". Imagine the Spielberg Bond film!

- Bill

Thursday, May 17, 2012

Lancelot Link: US Monkeys

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are nine cool links plus this week's car chase...

1) HULK on Mark Ruffalo's portrayal. One of the best pieces of film crit and screenwriting advice I have ever read from a huge green mutant dude.

2 *Every* screenwriter gets notes.

3) The Amazing Doc Series 7 UP.

4) Periodic Table Of Storytelling.

5) A Letter From Hitchcock To Children.

6) James Bond Girls Today!

7) An Interview With John Hughes.

8) MULHOLLAND DRIVE - the movie Vs. the TV pilot.

9) How A Book is Born.

And... the car chase of the week!



Okay, if I say that's my favorite part of THE OTHER GUYS, does that make it sound like I don't like Will Ferrell's Gator character? Because I hate that character.

- Bill

Thursday, May 10, 2012

Lancelot Link: Monkeys Never Sleep

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are five cool links plus this week's car chase...

1) Summer Blockbusters... re-imagined as Indies.

2) Failed HBO Shows.

3) Interview With AVENGERS Screenwriter!

4) Final Shots Of Great Films - what was that last image?

5) Best Pilot Scripts - coming soon to a TV near you.

6) LANCELOT LINK is now on DVD!

And the Car Chase Of The Week...



- Bill

PS: This is the greatest season of CASTLE, with no shortage of GREAT episodes, but Monday night was amazing. Yeah, it's a crime show, yeah it's a rom-com, yeah it's fun... but this is the greatest drama on TV. This season has been all about characters - and Monday gave us so many amazing scenes that push the characters up against a wall and force them to make tough decisions and deal with tough emotions.

Thursday, April 26, 2012

Lancelot Link: I Want To Believe!

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are seven cool links plus this week's car chase...

1) Future Movie Posters!

2) Jenna Fischer's Advice To Actors - works for screenwriters, too!

3) Memorable Movie Dialogue - It's A Science!

4) All Of The James Bond Cars.

5) Common Screenwriting Misconceptions.

And the Car Chase Of The Week:



John Woo, Chow Yun Fat, ONCE A THIEF.

- Bill

Monday, April 23, 2012

RIP: Bill Finley & Jonathan Frid

While most people last week were mourning the loss of Dick Clark and wondering if the Mayans were right after-all, or dealing with The Weight of losing Levon Helm from The Band... Two other deaths may have gone unnoticed.

Back in 1962 a couple of college kids made a short film - one as director and the other as actor: WOTON'S WAKE was directed by Brian DePalma and starred Bill Finley. This was the beginning of a film partnership that lasted until 2006's BLACK DAHLIA. DePalma had an eye for talent, Robert DeNiro and Charles Durning and Daryl Hannah and many others got their big breaks from DePalma. And he continued working with many of them - who played Al Capone in DePalma's UNTOUCHABLES? Finley was in 9 of DePalma's films - and was the actual star of a couple. He was a weird looking guy, tall and gangly and with a face that seemed like it had been stamped in a record press long before that would happen on film in PHANTOM OF THE PARADISE. Here are some clips of Finley and DePalma's work together...

In SISTERS Finley plays a riff on the mad scientist - a crazy doctor who has separated a pair of conjoined twins and married one of them. You can see him in this trailer with a cleaver performing an operation - wearing his trademark ultra-thick glasses:



SISTERS is a great drive in flick - shocking and creepy and manages to rip off a half dozen Hitchcock movies but still tell its own story. You know the trunk with the dead body from ROPE? Here it's a sofa-bed. Finley as the crazy doctor ends up kind of the ultimate antagonist. So in his next film for DePalma he was the protagonist - the lead!

PHANTOM OF THE PARADISE is one of my favorite films, and though it's about a guy who sold his soul for rock and roll, the story can easily apply to screenwriting or any other creative gig. As a crazy musical satire of rock musicals it manages to hit a bunch of serious points in my life (and maybe yours, too). Here's the trailer with Finley as the Phantom:



Between these two films, Finley became a kind of cult actor and ended up working with John Huston and Chuck Norris. He came back to work for DePalma in THE FURY - a movie that kind of doesn't work and seems like Act 1 of a story without the rest. I read the novel before seeing the film, and the Finley was cast as the most interesting minor character - Raymond Dunwooody (I hope I got that right, because I did not look it up). Dunwoody is a man with amazing psychic powers who can't deal with them and becomes a drunk... but is recruited by the government to find other people with psychic powers who can be kidnapped, er, I mean - recruited.

This is a film student's look at the locations of THE FURY - and in the opening scene you can seen Finley as the creepy guy following the two girls. After that, you don't need to watch any more...



William Finley will be missed. He was kind of a cult actor who pops up in films made by fans on PHANTOM OF THE PARADISE (or maybe SISTERS) and I remember how happy I was when I saw him in BLACK DAHLIA. He was never going to be a star - too weird looking - but that's what made him a great lead in PHANTOM. He was the not-handsome-guy in all of us. The one who was never going to get the girl. One of the things that you may have noticed from the clips is how versatile he was - he could play every type of odd. The crazy doctor in SISTERS is *nothing* like the shy musician in PHANTOM. Toys From Sing Sing.

***

The other star who passed was Jonathan Frid, who got a lot more press than Finley because he played the lead in the DARK SHADOWS TV series, and there's a big movie about to come out.

Much as PHANTOM OF THE PARADISE spoke to me as a young man trying to break into the film business, DARK SHADOWS was a pivotal show when I was a kid. It had monsters in it. For those of you who may have never heard of DARK SHADOWS before the Depp version - it began as a traditional soap opera that was failing in the ratings and about to be cancelled, so the producer (Dan Curtis - KOLCHAK: THE NIGHT STALKER) just started doing crazy stuff on the show, because no one was watching, right? So instead of the typical soap opera unwed mother scandal, he threw in a vampire... and a witch... and a werewolf (which is where Quentin Tarantino got his first name)... and some ghosts... and anything else weird. All of that happened before I began watching it as a kid - When I started watching it was already weird... and had a new audience. The housewives who normally watch soaps were not the audience for the weird show, but kids my age who liked monsters... and kids a little older who probably watched the show while using a controlled substance or two... became addicted to this crazy family with actual skeletons in the closet. The show was played straight - not a comedy at all - but it was just loopy! I ran home from school every day to watch it.

And the show opened the doors for other weird shows like TWIN PEAKS, and KOLCHAK and X-FILES.

Jonathan Frid played vampire Barnabass Collins, with his weird walking stick and hang up on his dead love Angelique (I named a character after her in NIGHT HUNTER), as if it were Shakespeare. This ended up being his defining role - he starred in Oliver Stone's first feature SEIZURE in 1974, and a TV movie... but mostly he was Barnabass Collins. He pops up in the new film in a cameo - his last role. Here is his introduction to the show - in the B&W days before I was watching...



Both of these guys will be missed. They were cult actors who gave great performances and live on in the memories of fans.

- Bill

IMPORTANT UPDATE:


TODAY'S SCRIPT TIP: BLAND HEROES - making sure the supporting characters don't take over!
Dinner: Subway - Teriyaki Chicken.
Movies: Sunday Night Noir: 3 Woolrich flicks at the Egyptian - PHANTOM LADY, BLACK ANGEL, and THE WINDOW. Have also seen AMERICAN REUNION (blah), CABIN IN THE WOODS (fun for horror fans), and another film I will talk about later.


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Only $9.99 - and no postage!

Sunday, April 15, 2012

DIVERGENCE is here!

So, Douglas Horn has a new project and he e-mailed me about it and I was busy and never looked at the trailer... until yesterday. And it blew me away. There is a moment about a minute in to the trailer where I went WTF? in the best way (you will, too) and there's a great fight scene move in here that reminded me of THE RAID (which I saw Friday night). The lead as a great voice - and I want to see more of this! Here's the trailer and their synopsis:



The action/sci-fi series DIVERGENCE follows former U.S. Army Intel officer Mark Leonard who struggles with paranoia and PTSD until he discovers that he is, in fact, being tracked by people...who can disappear into thin air. As Mark fights his way deeper into this mysterious world looking for answers, he encounters different factions attacking him or offering help—but precious few answers. Each new discovery draws Mark deeper into a mystery that seems to center on his own dark past.

DIVERGENCE stars Dan Southworth, Damion Poitier, Marta McGonagle, and Courtney Munch. The series created by Douglas Horn and Dan Southworth of POPULAR UPRISING.

Learn more at WHAT IS DIVERGENCE?

- Bill

Thursday, April 12, 2012

Lancelot Link: Catching Fire!

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are seven cool links plus this week's car chase...

1) Screenwriter Jon Spaihts on PROMETHEUS.

2 Len Deighton on the hero of my second favorite movie - Harry Palmer.

3) Hitchcock posters as Nintendo Games.

4) Gavin Palone on the people who read our screenplays.

5) Foreign Posters for American Movies.

6) SCREAM's screenwriter Kevin Williamson gets sued.

7) Now showing at the Academy Of Natural Sciences: Mega Shark Versus Crocosaurus!

And the car chase of the week, Stacy Keach test drives a car...



From SICILIAN CROSS (1976).

- Bill

Wednesday, April 11, 2012

Social Media

Over the weekend Script Shadow had their first ever Twitter Pitch where anyone could tweet their logline and Carson would select the Top 100 and read the first 10 pages of those scripts... and it would evolve into a script contest. Oh, it wasn’t just Carson who selected the Top 100 Pitches - it was *us*. The more people who liked a pitch, the more Carson considered it... and there were a certain number of slots open for “popular vote”. This is a great way to use social media to reach out to all parts of the world and bring the best stories to Hollywood. It didn’t matter where you lived, if you have a great pitch - it’s in the running.

And if you’ve read the pitches - #tp12 - there are some great ones and some good ones and some okay ones and some adequate ones and some that read like the instructions to that thing I bought that was made in China and they did a strange literal translation into English that makes absolutely no sense at all: just a bunch of random words.

I decided to just provide entertainment and post joke pitches... and what is strange is that my joke pitches are better than many of the serious pitches - you can see the story and characters (and they are absurd - which is what makes them jokes). But many of the real pitches are half formed ideas or situations without characters or things where the pitch does not allow you to imagine the whole movie. They’re half baked ideas that needed a lot more time in the mental oven at 450' before being served. Those are the *adequate* ones - they are in English, I can understand the sentence, but the sentence doesn’t show me the movie. I’m not even getting into the Chinese-to-English translations.

The great thing and the bad thing about social media - your pitch gets read!

Of course, the great thing is that Script Shadow, despite its faults, does a good job of promoting new writers to Hollywood producers. Carson has discovered some writers who now have careers. He’ll read and review your screenplay for the whole world to see - including some folks in Hollywood who might want to be the next person to read it.

But... do you really want that?

The thing about those Twitter Pitches that read like Chinese-to-English translations and the “adequate” ones is that *everyone can read them*. Everyone. Around the world. Plus any Hollywood Producers monitoring the event. When these people posted those did they consider that?

DRUNKEN FACEBOOK PHOTOS

Twenty years from now someone might search #tp12 on Twitter and still be able to get all of those pitches - including the really bad ones. The funny thing about social media is that we think nothing of posting something online because it’s “not as serious” as if we were to *write it on paper* or *say it in person*, except online LASTS FOREVER! I have googled my name and came up with things from 1996 on the first page. Things I had forgotten that I had written.

We all know the dangers of posting those bachelor party pictures on Facebook, because your future boss might see them... not to mention your new bride and your mom. But what about posting text? Messageboards and stuff?

Lasts forever.

Plus, the whole world can see it.

To me the issue with the bad and translation twitter pitches is that the whole world can see them - including those people in Hollywood who might want to read your screenplay (or not). Though I used to tell people to be very cautious because you only have one chance to make a first impression - I think Hollywood changes employees often enough to give you a couple more chances... but why try to use them all up on crap? Being cautious is probably not a bad thing. Before you send out that logline to agents or managers or producers - maybe you should be sure that it makes sense? That it’s exciting and interesting and honestly tells the story of your screenplay. That it *ready* to be released into the world... and maybe be seen by that world forever if they google #tp12. Not just - here’s my chance, I’m not ready but I’ll take it anyway. Be ready. If you are not ready, there will be more chances. I expect Carson will have #tp13 next year. Most of those producers and agents and managers you want to query will be in business next year... and some may even still be in business the year after that. You have time to make sure your pitch and script are great *first*.

One of the great things about social media is that you can find people to swap reads with, and get feedback on pages and ideas and everything else. You can find all kinds of information online that will help your writing. You can find pro scripts online, read them, and learn how to do things and know when your script is getting close to the pro level. There is all kinds of helpful information out there.

CHINESE-TO-ENGLISH

Hey, the internet *is* international, what if those pitches that read like Chinese-to-English translations really *are* Chinese-to-English translations? Well, some might actually be from people who have English as a second language... but the issue is that if they are not proficient enough in English to write *one* sentence, I don’t think anyone will want to read 110 pages of screenplay. A Chinese writer might be better off writing a screenplay in Chinese for Chinese producers (there are many of them looking for screenplays, now). But I don’t think many of the pitches that read like Chinese-to-English translations actually were... I suspect they were just really bad writers.

There was this cute little kid on a messageboard who was asking all of these beginner questions and had trouble understanding big words and complex sentences but was fine if you kept things at about a 6th grade level. Hey - the future of screenwriting! So, many of us helped this cute little kid, and when something was too complicated for a pre-teen to understand we took the time to find the simple way to explain things. This kid was the message board mascot, and when he would tell us his story ideas, we would explain why they were naive and point him in the right direction.

Then we had a message board meet up in Los Angeles and guess who showed up? That cure little kid! Who was in his mid-40s and was an executive for some company. And was just as, um, unsophisticated , in person. Afterwards everyone wondered how he had ever gotten his job - and kept it. That’s the other weird thing about social media - because we don’t know who you are, we make assumptions based on your writing... and sometimes we are wrong. None of us helped the cute kid once we discovered he was really an unbelievably stupid guy in his mid-40s. He should have been able to figure out most of that stuff on his own.

So I’m fairly sure most of the translation pitches were from people who use English as their primary language - they just aren’t proficient at it. There are people who think they don’t need to be good at writing to write a screenplay - WRONG! It’s all writing. There are people who think they aren’t good enough writers to write a novel, but they are good enough to write a screenplay - WRONG! It’s all writing. I have several friends who tried to break into screenwriting for a while and turned to novels and are now successful novelists. Not because screenwriting is more difficult than writing a novel, but because writing is writing. They were good writers, there were no openings for writers at the Screenwriting Company, they put in applications at the Novel Writing Company and got hired. It’s all writing. But some folks think they can *easily* write and sell a screenplay because it doesn’t take any writing skills at all. The few really bad pitches - the translation ones - I really hope those were victims of last minute editing to 140 characters and those writers don’t communicate like that in real life.

Yeah - there are typos in this blog entry and in this blog and in my script tips and my tweets... and even in my books. But when you are “on stage” for 140 characters, maybe do a read through or two before hitting post?

HATE BUTTON

One of the strange things that can happen to us online is that we become different people... for all the world to see and searchable until the end of time. I have always tried to be the patient and helpful person online - but I have had bad days and taken it out on strangers with “stupid questions”. There are also people on messageboards - like that cute kid who was really in his mid-40s - that I have reached my “idiot limit” with and try my best to ignore... but every once in a while they ask stupid question #1,000,001 and I am not kind to them at all. Sorry. But there are other people who are *monsters* online, even though they are very nice people in real life. And to those who don’t know them in real life? Well, to all of those people worldwide and to anyone who googles them 20 years from now - they are assholes.

I would suggest that when you are on a public messageboard or Facebook or tweeting - that you try not to be an asshole. When I first joined Facebook I decided that I would only friend actual friends and escape the assholes I had friended on MySpace. Nice plan, but I became a complete friend-whore on Facebook. Anyone and everyone can be my friend. The only requirement is that they know some people that I know - and that’s just to keep me from friending some robo-spammer. So I have over a thousand “friends” - and actually know many of them from online even if I have never met them in person.

So I get to read over 1,000 people’s FB streams - and some of my “friends” are complete assholes. I should defriend them, but that seems like a lot of work. I seem to know a few bigots, and many more people who just hate the whole world and never have anything good to say about anything - they are completely negative. These are people who want to break into screenwriting. Now, you are a producer - would you want to work with someone who hates the world? Someone who trashes everything and everyone? Someone who is constantly fighting the world around them? Those are people I want to avoid working with. I want to work with *fun* people who are going to make me smile when things go wrong. People who are going to pitch in and help me when I fall. People who want to make this job and the world a brighter and better place. Life is too short to work with assholes...

And if your social media image to others is that person who is mean spirited or angry all the time or just a complete downer - some producer or agent or manager may not want to work with you. Yeah, social media has a confessional component and I’ve used that when I’ve had a bad day - but even then I try to be somewhat amusing if possible. Make a joke about the bad thing that happened, if possible. But also - I don’t *only* post downer and negative stuff. I also see social media as my stage, and I get to tell a joke now and then and maybe make you laugh if *you* are having the bad day.

I LIKE THAT GUY!

My contributions to the Tweet Pitch were all gag movie pitches that I hoped would make people laugh. Because I wasn’t “performing” for real - I thought I’d try to ease the stress for those of you who were performing for real. You might have been worried that your pitch wasn’t as good as that one someone just posted - and then my silly pitch pops up and maybe you smiled. But, um, can I tell you my secret strategy? Let’s say some agent or manager or producer was watching the pitches - and had a laugh at mine... when I pitch them for real in an e-mail or have a meeting with them on some project, they are likely to think nice things about me (instead of thinking I’m an asshole). I know Harry Connolly was just having fun, and I don’t know Michael Stark so I have no idea why he was making me laugh outloud every few minutes - but it doesn’t hurt for people in the business to think you might be a fun person to work with.

Social Media is a great way to get yourself out there in the world and get yourself noticed. I have had a big name director PM me, and a couple of name actresses I follow on Twitter have DMed me (so, where exactly is the line where stalking starts?) And have had all kinds of FB interactions with those more famous than myself. It’s weird when I realize that some *movie star* knows who I am from social media. But remember - whether you are posting on a messageboard or FB or Twitter or a blog or whatever - you are *in public* and what you post can be read by everyone and maybe for all of time... so try not to post things that will make people never want to work with you or read your screenplays. And if you don’t have a 140 character pitch ready, maybe you should hold off this year and keep working on it and post it next time? Here’s the thing - Script Shadow gave plenty of lead time, so when I read those awful pitches I thought “They had all of this time to work on it, and *that’s* what they came up with?”

- Bill

Sunday, April 08, 2012

Tuesday Webinar!

On Tuesday I am doing a webinar for Final Draft on action screenwriting - part of their ongoing series of insiders with lessons on the biz. Last week was Chris (CE) from WME.

Stuff I'm supposed to talk about:

The most important element of your action or thriller script: The Villain’s Plan

Why you need an active villain ... or your story is dead

Making your villains’s plan unpredictable and exciting

The mistake of multiple villains ... and the ladder of henchmen

Heroes: supermen vs every man -- which choice is right for your story?

How to create bad-ass lead characters -- from Chuck Norris to Haywire.

Mirror images and flip sides -- the hero/villain relationship

Bad guy leads -- can my hero be a villain?

Creating high-concept action scenes

How to make your action scenes also character scenes

Found weapons and the Naked Kill System

Reversals and suspense and gags


In just over an hour? I'll be lucky to cover half of that! But that is my goal, and I plan to use some new examples (maybe 21 JUMP STREET) so you won't get bored.

Click for info: Final Draft Webinar!

- Bill

Friday, April 06, 2012

Thursday, March 29, 2012

Lancelot Link: Another Link

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are seven cool links plus this week's car chase...

1) Alvaro Rodriguez (MACHETE) interviews Ted Talley (SILENCE OF THE LAMBS).

2) If other directors had made HUNGER GAMES.

3) Lem Dobbs speaks his mind.

4) ActionFest 2012 Trailer!

5) Your Guide To 2012 TV Pilots.

6) How the HUNGER GAMES movie is different than the book.

7) Another damned list from Chuck Wendig!

And this week's car chase...



From STAKEOUT. I had a great car/motorcycle chase from FIRST BLOOD, but the danged thing couldn't be embedded. So instead of Stallone, we get Aidan Quinn... but still, great *real* car chase with *real* stunts and *real* wrecks. They don't make 'em like that anymore.

- Bill


bluebook


FINALLY!

*** THE SECRETS OF ACTION SCREENWRITING *** - For Kindle!
*** THE SECRETS OF ACTION SCREENWRITING *** - For Nook!

Why pay $510 for a used version of the 240 page 2000 version that used to retail for $21.95? (check it out!) when you can get the NEW EXPANDED VERSION - over 500 pages - for just $9.99? New chapters, New examples, New techniques!

"SECRETS OF ACTION SCREENWRITING is the best book on the practical nuts-and-bolts mechanics of writing a screenplay I've ever read." - Ted Elliott, co-writer of MASK OF ZORRO, SHREK, PIRATES OF THE CARIBBEAN and the sequels (with Terry Rossio).(ie; 4 of the top 20 Box Office Hits Of ALL TIME.)


Only $9.99 - and no postage!

Thursday, March 22, 2012

Lancelot Link: In Danger

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are seven cool links plus this week's car chase...

1) The Movie Poster Database!

2) Video On Demand - The Numbers!

3) Chinese Copies Of American Movie Posters

4) Where JOHN CARTER went wrong.

5) Noir City Hollywood 2012 Schedule.

And the Car Chase Of The Week:


Mel Gibson - dubbed into *American* in MAD MAX (1979). This is the movie that came *before* ROAD WARRIOR, where police officer Max becomes that broken man in ROAD WARRIOR after battling Toe Cutter and his gang. If you haven't seen it, worth a look - and the DVD is in *Australian*.

- Bill

Thursday, March 15, 2012

Lancelot Link's Twelve

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are seven cool links plus this week's car chase...

1) 50 Greatest Deleted Scenes Of All Time.

2) So What Does A Studio Head Make?

3) Famous Film Flops!

4) Ebert Looks At Bad Movies Someone Thought Were Terrific!

5) 1933 Taglines - Sex and Violence Sells!

6) WRATH OF JOHN CARTER

7) Before the Black List, Movieline had a *real* list of Top 10 Unproduced Screenplays!

And the Car Chase Of The Week is the best part of MATRIX RELOADED...



They built that freeway for the film on Treasure Island (in the San Francisco Bay). Probably still there.

- Bill

Thursday, March 08, 2012

Lancelot Link: Back 2 Tha' Hood!

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are five cool links plus this week's car chase...

1) The writer of GAME CHANGE, Danny Strong.

2) Great interview with the new generation of hot screenwriters.

3) Part 2 of the interview.

4) The Top Movie Stars - Every Year!

5) All Three Prequels Edited Into One Good 85 Minute Movie, by...

And the Car Chase Of The Week...



From KING OF THE MOUNTAIN, which was originally used as a bad example in SECRETS OF ACTION SCREENWRITING. One of those movies that looks like two completely different screenplays got mixed up at the copy machine and they shot 90 pages.

- Bill


bluebook


FINALLY!

*** THE SECRETS OF ACTION SCREENWRITING *** - For Kindle!
*** THE SECRETS OF ACTION SCREENWRITING *** - For Nook!

Why pay $510 for a used version of the 240 page 2000 version that used to retail for $21.95? (check it out!) when you can get the NEW EXPANDED VERSION - over 500 pages - for just $9.99? New chapters, New examples, New techniques!

"SECRETS OF ACTION SCREENWRITING is the best book on the practical nuts-and-bolts mechanics of writing a screenplay I've ever read." - Ted Elliott, co-writer of MASK OF ZORRO, SHREK, PIRATES OF THE CARIBBEAN and the sequels (with Terry Rossio).(ie; 4 of the top 20 Box Office Hits Of ALL TIME.)


Only $9.99 - and no postage!

Thursday, March 01, 2012

Lancelot Link: Money Never Sleeps

Lancelot Link Thursday! This week's links to some great screenwriting and film articles, plus some fun stuff that may be of interest to you. Brought to you by that suave and sophisticated secret agent...



Here are five cool links plus this week's car chase...

1) A TED speech from 2023... from PROMETHEUS (the new ALIEN movie).

2) Sean Hood on why studios rewrite screenplays.

3) A bunch of other screenwriters on rewrites.

4) From SHARKTOPUS to THE GODFATHER!

5) Today in select cities THE GODFATHER is playing (anniversary)! - so here is a website that's all about THE GODFATHER movies.

And the car chase of the week...



From THE JUNKMAN - not quite a sequel to GONE IN 60 SECONDS.

- Bill
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