Friday, August 03, 2018

MISSION: HITCHCOCK!

MISSION IMPOSSIBLE" FALLOUT is the #1 movie in the country, and the first time the same director has been brought back for a second film. When they began the series the plan was to bring in a different director for each film, so that each movie had a different feel. The slightly amusing part of this is that the first director, Brian DePalma, set the tone for all of the rest of the films in many ways including his reverence for Hitchcock. By now I was supposed to have a new book out on the film series, but I'm a bit behind so look for STORY IN ACTION: MISSION IMPOISSIBLE in a couple of weeks... and it will look at how Hitchcock has influenced most of the films. The previous film, ROGUE NATION, has a great scene at the Vienna Opera where Ethan Hunt spots *three* assassins aiming sniper rifles at the Chancellor or Austria! The scene is reminscent of the assassination scene from Hitchcock's "The Man Who Knew Too Much", but director Christopher McQuarrie says it's actually inspired by a Freixenet Sparking Wine commercial. Say what? But the commercial was dfirected by some guy named Martin Scorsese and supposedly based on a scipt by Alfred Hitchcock, and is definetly in the style of Hitchcock. So the scene in ROGUE NATION is inspired by a commercial that was inspired by THE MAN WHO KNEW TOO MUCH!

And here is that commercial!

The Key To Reserva: A Short by Martin Scorsese from Ben Grossmann on Vimeo.



Look for the MISSION IMPOSSIBLE book in a couple of weeks!

Of course, I have my own books on Hitchcock...

HITCHCOCK: MASTERING SUSPENSE


LEARN SUSPENSE FROM THE MASTER!

Alfred Hitchcock, who directed 52 movies, was known as the “Master Of Suspense”; but what exactly is suspense and how can *we* master it? How does suspense work? How can *we* create “Hitchcockian” suspense scenes in our screenplays, novels, stories and films?

This book uses seventeen of Hitchcock’s films to show the difference between suspense and surprise, how to use “focus objects” to create suspense, the 20 iconic suspense scenes and situations, how plot twists work, using secrets for suspense, how to use Dread (the cousin of suspense) in horror stories, and dozens of other amazing storytelling lessons. From classics like “Strangers On A Train” and “The Birds” and “Vertigo” and “To Catch A Thief” to older films from the British period like “The 39 Steps” and “The Man Who Knew Too Much” to his hits from the silent era like “The Lodger” (about Jack The Ripper), we’ll look at all of the techniques to create suspense!

Films Included: NOTORIOUS, SABOTAGE, STRANGERS ON A TRAIN, THE 39 STEPS, REBECCA, TO CATCH A THIEF, FRENZY, FOREIGN CORRESPONDENT, THE LODGER, THE BIRDS, TORN CURTAIN, SABOTEUR, VERTIGO, THE MAN WHO KNEW TOO MUCH (1934), THE MAN WHO KNEW TOO MUCH (1955), SUSPICION, and NUMBER SEVENTEEN. 17 Great Films!

Only 125,000 words!

Price: $5.99

Click here for more info!

OTHER COUNTRIES:
(links actually work now)

UK Folks Click Here.

German Folks Click Here.

French Folks Click Here.

Espania Folks Click Here.

Canadian Folks Click Here.

And...




HITCHCOCK: EXPERIMENTS IN TERROR



Click here for more info!

HITCHCOCK DID IT FIRST!

We all know that Alfred Hitchcock was the Master Of Suspense, but did you know he was the most *experimental* filmmaker in history?

Contained Thrillers like “Buried”? Serial Protagonists like “Place Beyond The Pines”? Multiple Connecting Stories like “Pulp Fiction”? Same Story Multiple Times like “Run, Lola, Run”? This book focuses on 18 of Hitchcock’s 53 films with wild cinema and story experiments which paved the way for modern films. Almost one hundred different experiments that you may think are recent cinema or story inventions... but some date back to Hitchcock’s *silent* films! We’ll examine these experiments and how they work. Great for film makers, screenwriters, film fans, producers and directors.

Films Examined: “Rear Window”, “Psycho”, “Family Plot”, “Topaz”, “Rope”, “The Wrong Man”, “Easy Virtue”, “Lifeboat”, “Bon Voyage”, “Aventure Malgache”, “Elstree Calling”, “Dial M for Murder”, “Stage Fright”, “Champagne”, “Spellbound”, “I Confess”, and “The Trouble with Harry”, with glances at “Vertigo” and several others.

Professional screenwriter William C. Martell takes you into the world of The Master Of Suspense and shows you the daring experiments that changed cinema. Over 77,000 words.

UK Folks Click Here.

German Folks Click Here.

French Folks Click Here.

Espania Folks Click Here.

Canadian Folks Click Here.

Bill

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